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Thirty-five years after "Keep in Touch", Jean-Claude Rousseau’s filmmaking returns to the city of Carl Andre and Hollis Frampton. It’s like a miniature remake of "Rear Window", but a New York version – Rear Window as seen by a minimalist artist from New York. The window takes up almost the entire frame, the photographer is nowhere to be seen and the gaze, no longer voyeuristic, flutters over the surface of a red brick façade on the other side, studded by myriad identical windows. On the surface of the windows or in the depths of the bedrooms, life passes by, takes its leave and returns, always inaccessible.

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07-07-2022

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FR

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9.2

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3

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18 min

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Director
Jean-Claude Rousseau

Jean-Claude Rousseau

Jean-Claude Rousseau is one of the most unconventional lone fighters in French cinema. His predominantly short films deal with no less than cinema per se: space, time and movement. As abstract as each of these concepts might seem taken alone, Rousseau assigns their ultimate designation as an integral whole: A person (or no-one, for that matter) moves (or does not move) within a room (or looks into another room) for a certain amount of time.
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