Abril Alzaga

Lungta

Experimental short film that meditates on the illusion of movement in cinema and the relationship between image and sound, establishing a formal analogy between both elements. The film plays to resolve the paradox between the relationship between real time and the manipulation of it, based on the cinematographic technique. manipulation of time, based on the cinematographic technique

Puerta a Puerta

Puerta a Puerta records the preparation of a shipment in the United States and its attendant unboxing in Venezuela.

Teponaztli

Shot with 16mm Bolex cameras, our Teponaztli implies a moving anarchy, crowned anarchy of color, light, forms, rhythms, cadences, chains, superimpositions: silhouettes, contours, textures, intermittences, flashes, sparkles, opacities, darkness, dances, volumes, entrails, pulps, fluids, surfaces, faces and syncope, all of it to dizzying velocities. Here multiple entities, objects, pulses, forms, colors and figures all co-habit and co-exist according to an altered rhythm and order, the percussive rhythm of an audiovisual and cinetic teponaztli. Our Teponaztli implies a singular perceptive transformation.