Adam Ligas

Camera Tortura

The director, a young man in his thirties going through a life crisis, approaches his estranged parents to help him paint his apartment. Conversations accompanied by a paint roller and paint thinner open up old wrongs while revealing the complexity of interpersonal relationships. The absence of communication, or the lack of will to communicate, as a symptom of contemporary family ties, stands in contrast to caring for a family of pigeons that has made its nest on the director's balcony. The film, in its civility and authenticity, follows the lessons of a book dedicated to amateur filmmakers and thus enters into a subversive dialogue with the paradigms of film pedagogy.

About-Hair

How we look is often not just our personal choice. What we should look like plays a role as well. Society likes to know who is a woman and who is a man. The ideal woman is thin and shaven, while men do not depilate their legs.