Аватар персоны Adolfas Mekas

Adolfas Mekas

DirectorActorWriter
Adolfas Mekas (born on September 30th 1924 in Semeniskiai, Lithuania and died on May 31st 2011 in Poughkeepsie, New York) was a Lithuanian filmmaker, writer, director, editor, actor, educator and mentor. Adolfas Mekas collaborated with his brother Jonas Mekas to establish the seminal magazine Film Culture, and the Film-Maker’s Cooperative. He was associated with George Maciunas as well as the Fluxus art movement. His short films incorporate a comic and anarchic spirit, highlighted in his feature ‘Hallelujah the Hills’ (1963), which was featured at the Cannes Film Festival and is now classified as an American classic. Adolfas Mekas played a key role in the experimental film society, the ‘New American Cinema’ in the 1960s.

30-09-1925

Birthday

Libra

Zodiac Sign

-

Genres

19

Total Films

Also known as (male)

Semeniškiai, Lithuania

Place of Birth

Popular works

Creative career

actor

19 Works

producer

1 Works

director

23 Works

writer

3 Works

other

11 Works

3 Friends Singing (...in the Desert)

3 Friends Singing (...in the Desert)

A short portrait of Jonas Mekas by filmmaker and veteran Jonas chronicler Peter Sempel.
0.0

Year:

2019

Diaries, Notes, and Sketches

Diaries, Notes, and Sketches

An epic portrait of the New York avant-garde art scene of the 60s.
7.4

Year:

2013

Sleepless Nights Stories

Sleepless Nights Stories

Director Jonas Mekas travels through New York nights, through apartments, studios, backstage rooms, galleries, bars, and clubs. Encountering old acquaintances like Ken and Flo Jacobs, Yoko Ono, friends, brothers and sisters, sons and daughters. Mr. Mekas begins the film with the words 'I can't sleep.' Who hasn't been in this situation? Sleepy and yet wide awake at the same time, you find yourself in the world of those exhausted from the day's exertions, the drunk, the relaxed, the dancing, the brooding, the mourning, and the pensive.
5.7

Year:

2011

365 Day Project

365 Day Project

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
10.0

Year:

2007

Certain Women

Certain Women

Caldwell's pulp storytelling, proto-feminist stance and unabashed social dramatization of his characters are a distinct vision of the condition of women -- specifically working class women. His broadly drawn themes of small town hypocrisy and restrictive moral values contextualize the titular characters' struggle for sexual expression, stability and independence. Certain Women is a disconcerting parable that pays tribute to but also defies the 50s period style of Caldwell, opting for contemporary small town situations and cinematic style. This cautionary tale of four heroic yet ordinary women is fashioned out of the past but relies on observations of the present historical moment and its political reality.
0.0

Year:

2004

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
7.8

Year:

2000

Birth of a Nation

Birth of a Nation

Filmmaker Jonas Mekas films 160 underground film people over four decades.
6.3

Year:

1997

Reminiscences of a Journey to Lithuania

Reminiscences of a Journey to Lithuania

A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
6.9

Year:

1996

The Genius

The Genius

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts. Gibbons plays a mad scientist who's developed a technique for transferring personalities from one person's body to another; he becomes obsessed with an outlaw artist (played by performance artist Karen Finley) who destroys paintings in various galleries as a form of anarchist, anticapitalist protest.
5.0

Year:

1993

He Stands in a Desert Counting the Seconds of His Life

He Stands in a Desert Counting the Seconds of His Life

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
8.2

Year:

1986

Lost, Lost, Lost

Lost, Lost, Lost

Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
7.0

Year:

1976

Going Home

Going Home

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.
5.4

Year:

1972

Journey to Lithuania

Journey to Lithuania

During the trip back to Lithuania, Jonas Mekas made Reminiscences of a Journey to Lithuania, Adolfas Mekas made Going Home, while Pola Chapelle, Adolfas’ wife, made this Journey to Lithuania, which both Jonas and Adolfas said was the best of these three films.
0.0

Year:

1971

A Matter of Baobab

A Matter of Baobab

International Cast of Actors: Jonas Mekas, from Lithuania, poet and film-maker; Louis Brigante, from Madagascar, poet and publisher; Storm De Hirsch, from Holland, poetess, seer and film-maker; Pola Chapelle, from Tierra del Fuego, singer and motel operator; Adolfas Mekas, from Lapland, basket weaver and film director; Contessa Angela Maria Andrecci di Castiglione, from Italy, opera singer.
0.0

Year:

1970

Time & Fortune Vietnam Newsreel

Time & Fortune Vietnam Newsreel

Jonas Mekas zoomed in from a completely different angle for his Time & Fortune Vietnam Newsreel. This fake interview with ‘Lapland’s Minister of Foreign Affairs’ brings an outsider’s perspective to bear on the US war, and discusses with ironic perplexity if it might not be possible to kill off the Viet Cong more cheaply. For, whilst white students in the US primarily took issue with the war in South-eastern Asia, African-Americans remained predominantly concerned with their own situation. For them, daily discrimination at home and the Vietnam War were simply two faces of the same racist coin
5.3

Year:

1969

Windflowers

Windflowers

Arthouse portraiture of a disestablishmentarian during his six-year draft dodge.
0.0

Year:

1968

Underground New York

Underground New York

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.
0.0

Year:

1968

An Interview with the Ambassador from Lapland

An Interview with the Ambassador from Lapland

Adolfas starred in, directed, and edited this Vietnam comedy, produced by Pola Chapelle and shot by Jonas Mekas.
0.0

Year:

1967

Guns of the Trees

Guns of the Trees

A depressed woman, Barbara, is on the verge of suicide while a man she meets in a church and a married couple try to convince her that life is worth living.
7.4

Year:

1961