Ajoy Kar

Bisha Briksha

A landlord develops feelings for Kunda but is unable to marry her since he is married to Suryamukhi. Eventually, Kunda marries Suryamukhi's brother, who turns out to be an alcoholic.

Madhuban

The story is as this is a story of the tribals of Jhalakpukur whose basic living rights are taken away by the mean money lenders who lend little money to them and charged them with a huge amount of interests which they could not repay. As a result, they suffered torture and harassment. Sulata was a contractor who was different and genuinely cared for the tribals. However her employer Sundaram was an extremely greedy man who not only inflicted suffering to the tribals but also longed to marry Sulata. Sulata meets Satinath, a man who would always protect the tribals from any harm and starts liking him. Sundaram does not take this appropriately and one night when Satinath was away, he and another money lender try to kill, Raghu, the tribal leader so that the tribals are thoroughly weakened. His attempt becomes futile when coincidentally Satinath arrives and saves Raghu. Satinath and Sulata together start looking after the interests of the tribal people from then onwards.

Shipwreck

A man survives a shipwreck and brings his wife home only to find out the woman he found unconscious on the shore was not his betrothed but a complete stranger.

Datta

Bijoya, the daughter of a zamindar, falls in love with a learned doctor, Naren.

Kaya Hiner Kahini

Prabir, a rich and selfish man who does not realise the value of love and relationships, ruins the life of Mallika, a beautiful woman who loves him.

The Wedding Garland

A young doctor is introduced to a girl by his cousin, but he rejects her as a potential bride and she disappears one day, leaving only a garland of dried flowers behind.

The Fiancee

Ajoy Kar's 1969 film adaptation of Sarat Chandra Chatterjee's 1914 novel, 'Parineeta'.

Kanch Kata Hire

Subrata joins his father's business that he quits due to ideological differences. What awaits his fate now?

Saat Pake Bandha

Archana (Suchitra Sen) falls in love with Sukhendu (Soumitra Chatterjee), a serious University Lecturer, much to the chargin her snobbish and interfering mother (Chhaya Devi) for whom Sukhendu is just not good enough for her daughter or their family. Archana however, is adamant and with the approval of her father (Pahadi Sanyal) gets married to Sukhendu. The mother continues to interfere in the marriage constantly reminding her son-in-law of his poverty. Suffering from divided loyalties, Archana's problems are aggravated when Sukhendu insists she sever all ties with her mother. Archana separates from Sukhendu and stays independently completing her studies. When she finally accepts her wifely duties and returns home it is too late as Sukhendu has resigned and gone abroad.

Barnali

A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?

Atal Jaler Ahwan

Shreemonto, who raises his son Jayanta alone, finds solace in his friend Anuradha, but she soon leaves him. Years later, Jayanta falls in love with Anuradha's daughter.

Seven Steps

During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.

Seven Steps

During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.

Suno Baranari

Himangshu is a villageman who apart from practicing homeopathy helps the local people with their odds and ends. One day he gets a call from a rich man to escort his daughter Juthika to Patna. At first the rich and spoilt lady takes much disliking for the plain and simple young man but after having seen him from close quarters starts liking him. Soon her marriage is fixed to a bigshot. She confesses her feelings to Himangshu however he declines her love as he had a similar love failure in the past and did not want a broken heart again. He decides to leave the place and go away. Juthika breaks her engagement, leaves her family behind and chooses to come along with Himangshu, proving all his apprehensions wrong.

Khelaghar

The story starts with the scene where Goutam Chatterjee is escaping from jail. Goutam is a freedom fighter and political leader. When Goutam is escaping, he takes shelter in Ruchira Banerjee's house. Ruchira's father Rajbahadur. R. C. Banerjea is a police officer. Goutam gets away from there. In the meantime, Ruchira leaves her house because her father forces her against her wish to get married to Subir. After that, suddenly Ruchira meets Goutam again. They become friends and they move from one place to another together. And the story continues with suspense at every turn.

Khelaghar

The story starts with the scene where Goutam Chatterjee is escaping from jail. Goutam is a freedom fighter and political leader. When Goutam is escaping, he takes shelter in Ruchira Banerjee's house. Ruchira's father Rajbahadur. R. C. Banerjea is a police officer. Goutam gets away from there. In the meantime, Ruchira leaves her house because her father forces her against her wish to get married to Subir. After that, suddenly Ruchira meets Goutam again. They become friends and they move from one place to another together. And the story continues with suspense at every turn.

The Lost Melody

An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.

The Lost Melody

An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.

Baradidi

Suren, the son of a zamindar of Bangladesh, lives his life in his own way. He takes up the private tutor job for a girl whose elder sister is Madhabi, an ill-fated widow. But after a few days, he returns to his rich family and marries. But he cannot forget Madhabi who loves him like an elder and caring sister. In the meantime, when Madhabi's sister-in-law drives her out of the house, Suren hears that and arranges to return the property to her.

Baradidi

Suren, the son of a zamindar of Bangladesh, lives his life in his own way. He takes up the private tutor job for a girl whose elder sister is Madhabi, an ill-fated widow. But after a few days, he returns to his rich family and marries. But he cannot forget Madhabi who loves him like an elder and caring sister. In the meantime, when Madhabi's sister-in-law drives her out of the house, Suren hears that and arranges to return the property to her.

Grihaprabesh

A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.

The Lost Tune

An amnesiac after a train accident, Alok Mukherjee (Uttam Kumar) is rescued on escaping from the asylum where he is admitted by Doctor Roma Banerjee (Suchitra Sen) who takes him to her father's (Pahadi Sanyal) country house in a village called Palaspur. There, while treating him she falls for him and he for her. They marry but a second accident makes him recall his life as a rich businessman in Calcutta and forget the memories spent with Roma. Roma follows him to Calcutta and meets him there, but he doesn't recognise her. He hires her as governess to his niece instead. Roma keeps trying to simulate Alok's memory but is looked at suspiciously by Lata, Alok's fiancée in Calcutta who thinks Roma is snatching Alok away from her and who complains to Alok's mother. The latter has Roma kicked out. Alok realizing she is from Palaspur and that is where he got back his memory goes there and regains his memory of times spent with Roma there.

Shyamali

Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.

Shyamali

Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.

Kashti

This film directed by Hemen Gupta, starring Dev Anand and Geeta Bali in the lead roles.

Jighangsa

The movie revolves around the unwanted incidents that happened in the princely state of Ratnagarh. After the murder of King Chandrakanta, one Dr. Palit (Kamal Mitra) asked for help from one Detective Smarajit Sen (Sisir Batabyal), as a family friend. Detective Sen sent his assistant Bimal to Ratnagarh to investigate and ascertain the security of young Kumar Bahadur, a new predecessor of the royal family of the estate. They observed that a mysterious lady Manjusri (Manju De) sang an uncanny song in the adjacent water body near the palace. Mr. Gupta (Bikash Roy), a suspicious botanist who stayed in the neighborhood also roamed in that locality. It revealed that he was deprived of the real property of the royal family and took revenge by killing the members of the family. He used one deaf and dumb porter as a hired killer. Ultimately, he was killed by the detective at the end before he could commit another murder.

Jighangsa

The movie revolves around the unwanted incidents that happened in the princely state of Ratnagarh. After the murder of King Chandrakanta, one Dr. Palit (Kamal Mitra) asked for help from one Detective Smarajit Sen (Sisir Batabyal), as a family friend. Detective Sen sent his assistant Bimal to Ratnagarh to investigate and ascertain the security of young Kumar Bahadur, a new predecessor of the royal family of the estate. They observed that a mysterious lady Manjusri (Manju De) sang an uncanny song in the adjacent water body near the palace. Mr. Gupta (Bikash Roy), a suspicious botanist who stayed in the neighborhood also roamed in that locality. It revealed that he was deprived of the real property of the royal family and took revenge by killing the members of the family. He used one deaf and dumb porter as a hired killer. Ultimately, he was killed by the detective at the end before he could commit another murder.

Jighangsa

The movie revolves around the unwanted incidents that happened in the princely state of Ratnagarh. After the murder of King Chandrakanta, one Dr. Palit (Kamal Mitra) asked for help from one Detective Smarajit Sen (Sisir Batabyal), as a family friend. Detective Sen sent his assistant Bimal to Ratnagarh to investigate and ascertain the security of young Kumar Bahadur, a new predecessor of the royal family of the estate. They observed that a mysterious lady Manjusri (Manju De) sang an uncanny song in the adjacent water body near the palace. Mr. Gupta (Bikash Roy), a suspicious botanist who stayed in the neighborhood also roamed in that locality. It revealed that he was deprived of the real property of the royal family and took revenge by killing the members of the family. He used one deaf and dumb porter as a hired killer. Ultimately, he was killed by the detective at the end before he could commit another murder.

Paribartan

A 1949 Indian Bengali Film directed by Satyen Bose.

Ananya

A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).

Ananya

A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).

Bhuli Nai

Hemen Gupta's 'Bhuli Nai' (1948) was set against the infamous 1905 Partition of Bengal by Lord Curzon.

Samadhan

A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.

Garmil

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.