Ákos Kertész

Így, ahogy vagytok

Small-town politics (corruption etc.) in Hungary.

Tabló

Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

Szekelykapu

A dying old woman leaves her apartment to a young man on condition he marry her Romanian niece so that she can legally come to live in Hungary.

On Death Row

Directed by János Zsombolyai

Makra

The events of the story take place in the outskirts of working class people in the early nineteen fifties. Makra, a skilled worker in a factory, suddenly comes to close quarters with everything around him because his environment condemns and ridicules him for protecting a woman when his drunk fellows were going to rape her after his bachelor party.

The Valley

Five deserters hide in a village inhabited only by women.

Deadlock

The film takes place in the outskirts at the end of the fifties. Gabi and Vince meet at the factory party. As the man learns that Gabi raises her little son alone, he does no longer want to marry her. An unclear and for Gabi humiliating relationship forms between them until the old suitor of Gabi, Feri appears.