Аватар персоны Al Razutis

Al Razutis

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Al Razutis is a avant-garde and documentary film-maker, multimedia artist, educator and innovator in motion-picture film and video, stereoscopic 3D video, holographic technologies and arts, and web-digital graphics for websites and virtual reality. He has been creating and exhibiting avant-garde and documentary films and video since the late sixties, holographic displays and art since the early 70's, and web virtual reality and stereoscopic 3D video art since the 90's. During this time he developed custom-made film optical printing, video synthesizer, holographic recording and imaging technologies used in his published and exhibited works. He is a 'hands on' creator and technical innovator who freely acknowledges those 60's - 70's innovators (Moog, Buchla, Whitney, Brakhage, Cross, Benton and others) in the technologies and the arts that influenced his creativity. His films have received a number of awards, including a 1988 Los Angeles Film Critics Award, and his media art works are found in a number of international collections and have been exhibited internationally, including a 1997 stereoscopic 3D video showing at the Louvre, a 2002 film-video retrospective at the Electronic Media Arts Festival in Osnabruck, Germany, and a 2004 exhibition of 3D video, film, video at SeNef, Seoul, Korea.

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Genres

4

Total Films

Also known as (male)

Place of Birth

Popular works

Creative career

actor

4 Works

producer

7 Works

director

46 Works

writer

7 Works

other

10 Works

Le bulbe tragique

Le bulbe tragique

Ephemeral traces of nothingness—rotoscoping farmers, crumbling churches, dying memories as hand-painted layers, decay & collage on film emulsion as incidental traces of nothingness. A work that is aware of its own mechanisms.
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Year:

2016

Visual Essays: Origins of Film

Visual Essays: Origins of Film

These six essays on film/image history reconstruct cinema history by 're-imagining' its origins, and its poetries, and use historical films themselves (as 'text') to provide the meanings of their creations. Together, these film essays comprise a critical/structural investigation of silent cinema ending with Segei Eisenstein's works (for Stalin) - from Lumiere and Melies through surrealism and horros, to montage and propaganda, we 're-invent' epochs in cinema that became its language and culture.
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1984

Amerika

Amerika

Amerika is a "feature-length experimental film which was created one reel at a time to function as a mosaic that expresses the various sensations, myths, landscapes of the industrialized Western culture (1960's -1980's) through the eyes of media-anarchism and avant-garde film techniques." (A.R.)
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1983

Aaeon

Aaeon

AAEON is based on experiments with dream recollection, and features the first optical printer technology developed in Vancouver and used in many of Razutis’ later films.
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Year:

1970