Alejandro Agresti

We're No Animals

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Valentin

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

Fuera

Premiered at International Film Festival Rotterdam 1998.

Buenos Aires viceversa

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

Modern Crimes

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

How to Survive a Broken Heart

D.C. has been abandoned by his girlfriend Nola, wants to go to Hollywood and participates in 'chicken races' out of desperation and lack of money; a perilous event in which one travels a certain distance on the road by car without stopping.