Álex de la Iglesia

Exorcismo: The Transgressive Legacy of Clasificada 'S'

Franco's death in 1975 opened the doors to the possibility of uncensored cinema. After two years in which censorship was relaxed, in 1977 it was completely abolished, and the “S” classification was created to protect viewers from those films that could “hurt their sensitivity.” The “S” classification was granted when the content was especially violent, sexual or political, creating a mixed bag in which all types of unclassifiable films could fit. In force from 1978 to 1983, this classification turned out to be a great commercial attraction for a society that had suffered four decades of national-Catholic dictatorship and repression.

The Critic

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

Raphaelismo

Raphael is one of the most prolific, followed & adored spanish artists in the world. This documentary takes us across his childhood, early years, his home & family, glory, transplant and reinvention as singer & actor in 60 yrs of legacy.

Mi adorado Monster

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

Wild Session

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

¡Ay, Carmen!

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

Sad Hill Unearthed

Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.

Narciso Ibáñez Serrador: historias para recordar

How the Uruguayan-Spanish actor, writer, producer and director Narciso «Chicho» Ibáñez Serrador changed forever the way of producing programs for Spanish television.

Heirs of the Beast

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

Why Horror?

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

El Roast de Santiago Segura. Amiguetes los justos

Eight friends get together to present the real Santiago Segura. They are going to tell everything, but the question is whether Segura is going to let El Gran Wyoming, Anna Simón, Kiko Rivera, Angie, Alex de la Iglesia, Silvia Abril, Carlos Areces and Jorge Sanz reveal their secrets.

24 cines por segundo

Projectionists, film exhibitors and audiences explain their stories, their misfortunes, passion and selfless lifes; challenging time and conecting past, present and future. '24 Cinemas per Second' tries to show how films exhibition evolves as a consecuence of social changes and daily customs.

Spanish Movie

Large doses of humor, ingenious nods to Spain's most recent national cinema, an artistic cast highly linked to comedy and a high reserve of surprises constitute the ingredients of this crazy comedy: Spanish Movie.

La tragedia de Franco

Franco lives and will live forever in China.

Flesh on Flesh

Documentary on Argentine actress and sex symbol Isabel Sarli, including clips from her films and interviews with her and other actors.

Critic

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

Sexo en el plató

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.