Alexander Engel

Den farliga leken

Lola Brio has a large number of professions. She is partly a revue primadonna and gramophone singer, but the nameplate on her door also reads "Lessons in French and Grace", which of the film's act to judge apparently means that she is partly a luxury prostitute and partly takes care of country girls to give them some posture of polish.

Just a Gigolo

A playboy pretends to be a paid escort in order to court--and test the moral character of--a young British socialite. Comedy.

The Love Express

Musical about a girl typist who leaves Berlin for Venice after winning a contest. A rich bachelor pretending to be poor takes a job with her and competes for her affections with a count and a tenor. No print of the film is known to survive, and it is therefore a lost film. It is based on the operetta Es lebe die Liebe by Alexander Engel and Wilhelm Sterk. It was one of a cycle of operetta films made during the early sound era. A French-language version, Venetian Nights (Nuits de Venise), also directed by Wiene, was released the same year. From Wikipedia.

Venetian Nights

After winning a cash prize in a contest a young woman decides to visit Venice. She hires a secretary, a wealthy young man in disguise, to accompany her on the holiday. Once in Italy she attracts several suitors but her real love is her secretary. When she discovers he has deceived her she returns to Berlin on the express and he pursues her to try and declare his love. Loosely based on the 1883 operetta Eine Nacht in Venedig (A Night in Venice) by Johann Strauss II, it was a French-language version of the 1931 German film The Love Express.

Tingel Tangel

Feature film directed by Gustav Ucicky

Playing with fire

A method actress likes living out the roles she is playing in real life. To prepare for her new play, she enters the criminal underworld and ends up being implicated in a burglary of a Duke who is one of her suitors. The film was shot at the Babelsberg Studios in Berlin. The film received a generally positive reception from critics, although some were doubtful about the blending of farce and tragedy.