Alexandru Sîrbu
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Also known as (female)
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Also Known As (female)
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Place of Birth
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Birthday
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Zodiac Sign
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Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
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Genres
0
Total Films
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Also Known As (female)
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Place of Birth
actor
0 Works
producer
0 Works
director
5 Works
writer
2 Works
other
0 Works

Industrial Robots
" A popularisation film, based on our researches and discoveries in the domain of the most advanced branch of technology, an attempt of clarifying the principles by which these strong helpers of men function, especially of how their "senses" systems work. "Year:
1983

Industrial Robots
" A popularisation film, based on our researches and discoveries in the domain of the most advanced branch of technology, an attempt of clarifying the principles by which these strong helpers of men function, especially of how their "senses" systems work. "Year:
1983
Report from the Red Flag
Report from the Red Flag is an odd presence against the gloomy background of Stalinist Romania. It belongs to a wider body of Sahia films about the living conditions afforded by the new blocks of flats built across Romania – in this case, a workers’ quarter built in ‘Stalin’-town (the name assigned, between 1950 and 1960, to the Transylvanian town of Brasov). While other films bear the imprint of the collectivist, work-centered ethos of the time, Red Flag follows the workers during their downtime, between Saturday 3pm (the end of the working week) and Sunday evening, while they spend quality time with their families, walking, mountain climbing, biking, fishing, or shopping – an opportunity, today, to see candid images of relaxation shot at a time when the state started paying attention to the leisure and tourism facilities available to its citizens.Year:
1964
New Technology, Educated People
One of the most ingenious documentaries of a period not at all devoid of fanciful and provocative attempts in the history of the "Alexandru Sahia" studio.Year:
1963
New Technology, Educated People
One of the most ingenious documentaries of a period not at all devoid of fanciful and provocative attempts in the history of the "Alexandru Sahia" studio.Year:
1963