Аватар персоны Alicia Segovia Juárez

Alicia Segovia Juárez

Director
Alicia Segovia Juárez has a degree in Communications. She graduated with honors as a film director from the University Center for Film Studies (C.U.E.C. - U.N.A.M) with her film “Jerusalem”. She has written and directed several short films, documentaries and fiction, which have been screened in national and international festivals such as the Critics' Week at Cannes Film Festival 2014, the São Paulo International Film Festival, the Sarajevo Film Festival and the Film Academy Vienna Film Festival, among others. Her work has also received awards such as Special Award Studio 5 de Mayo at the 11th Morelia International Film Festival 2014; the Best Film Award at the AluCine Latin Film + Media Arts Festival 2014 in Toronto, Canada; an Ariel nomination in 2011 by the Mexican Academy of Film Arts and Sciences; the London Film Academy Scholarship at the International Film Festival Expresión en Corto 2010.

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Birthday

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Genres

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Total Films

Alicia Segovia

Also known as (female)

León, Guanajuato, México

Place of Birth

Popular works

Creative career

actor

0 Works

producer

0 Works

director

17 Works

writer

2 Works

other

12 Works

Phantom Love

Phantom Love

Evy and Quiti share with us the remnants of their relationship as they navigate their lives in solitude. They are the last two inhabitants of a ghost town in the Sonora Mountains, in northern Mexico.
0.0

Year:

2023

Lessons on the Improper Use of Objects

Lessons on the Improper Use of Objects

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
0.0

Year:

2022

Lessons on the Improper Use of Objects

Lessons on the Improper Use of Objects

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
0.0

Year:

2022

Lessons on the Improper Use of Objects

Lessons on the Improper Use of Objects

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
0.0

Year:

2022

Lessons on the Improper Use of Objects

Lessons on the Improper Use of Objects

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
0.0

Year:

2022

To Remove the Heart

To Remove the Heart

Art is the way in which some children from San Gregorio, Atlapulco, sublimate their trauma when witnessing the 2017 earthquake in Mexico.
2.8

Year:

2019

The Dove and the Wolf

The Dove and the Wolf

Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.
5.5

Year:

2019

The Sower

The Sower

Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
7.3

Year:

2018

Land of Tears

Land of Tears

The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
0.0

Year:

2015

Land of Tears

Land of Tears

The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
0.0

Year:

2015

Velociraptor

Velociraptor

During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.
5.4

Year:

2014

Jerusalem

Jerusalem

Carmina and Ana are two sisters who face the bitterness of their parent's absence, living each day in loneliness but accompanied.
0.0

Year:

2013

Jerusalem

Jerusalem

Carmina and Ana are two sisters who face the bitterness of their parent's absence, living each day in loneliness but accompanied.
0.0

Year:

2013

A World for Raúl

A World for Raúl

When thirteen-year-old Raúl is asked to entertain the local landowner's son, a game of power and pride starts between the two boys.
5.2

Year:

2012

Andrea

Andrea

Andrea bids farewell to her childhood and, as facing the possibility of a change in her life, she decides to play on a last ride.
0.0

Year:

2010

The Janitor

The Janitor

At 75 years old, Ricardo has problems balancing his job as a janitor at an elementary school and the care his wife requires in a wheelchair. Since it is impossible for him to survive on the pension he would receive, he must continue working and the conflict with a student will end up causing him to lose everything.
0.0

Year:

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