Аватар персоны Amábilis Cordero

Amábilis Cordero

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Amábilis Cordero (Duaca, Venezuela, March 31, 1892 - Barquisimeto, Venezuela, January 6, 1974) was a filmmaker, photographer, painter, poet, musician, screenwriter. He was a pioneer of Latin American cinema. Together with his wife Carmen de Cordero, he founded one of the first film studios in Venezuela.

31-03-1892

Birthday

Aries

Zodiac Sign

-

Genres

0

Total Films

Also known as (male)

Duaca, Venezuela

Place of Birth

Popular works

Creative career

actor

0 Works

producer

0 Works

director

7 Works

writer

1 Works

other

2 Works

Juan Vicente Gómez y su época

Juan Vicente Gómez y su época

Documentary on Venezuela's dictator Juan Vicente Gómez.
0.0

Year:

1974

La tragedia de la Escuela Wohnsiedler

La tragedia de la Escuela Wohnsiedler

A tragedy occurs in a school.
0.0

Year:

1933

Amor y Fe a la Divina Pastora (La Pastorcita de los Cerros)

Amor y Fe a la Divina Pastora (La Pastorcita de los Cerros)

Silent film by Amábilis Cordero.
0.0

Year:

1929

Amor y Fe a la Divina Pastora (La Pastorcita de los Cerros)

Amor y Fe a la Divina Pastora (La Pastorcita de los Cerros)

Silent film by Amábilis Cordero.
0.0

Year:

1929

Amor y Fe a la Divina Pastora (La Pastorcita de los Cerros)

Amor y Fe a la Divina Pastora (La Pastorcita de los Cerros)

Silent film by Amábilis Cordero.
0.0

Year:

1929

The Cross of an Angel

The Cross of an Angel

A silent religious drama from Venezuela.
5.0

Year:

1929

Los milagros de la Divina Pastora

Los milagros de la Divina Pastora

Amábilis Cordero featured in his film Miracles of the Divine Shepherdess (1928) the image of the death in very precarious shape of a scrawny, anonymous actor who, wrapped in a sheet and armed with a scythe, walking in sandals rooftops Barquisimeto in what could be considered one of the first and rare surreal visions of Venezuelan film. As we know, our film has preferred rather turn towards the outside; to the marginal, criminal and sociological social fact avoiding exploring spaces of dreams and imagination. In such a witty and imaginative country like Venezuela no longer curious that the film lacks the imagination to accept that truth finds its best support in the fable: that reality always full of poetry.
7.0

Year:

1928