Amadeu Alban

A Última Vanguarda

70 years ago, a visionary management in education and culture as a political strategy for the dissemination and development of Bahia gave rise to an artistic vanguard that still impacts Brazilian culture today.

A Última Vanguarda

70 years ago, a visionary management in education and culture as a political strategy for the dissemination and development of Bahia gave rise to an artistic vanguard that still impacts Brazilian culture today.

Tiny and the Umbrella

Tiny is a girl who takes care of her pet carnivorous plant with lots of love and fresh ants. On the eve of her 7th birthday, Tiny wants the plant to call him by her name, but the plant demands more and more ants. The ants, tired of being eaten, work out a plan that involves poetry, umbrellas and a time machine.

My Dead Ones

Davi is a shy film student who hides a dark past. When visiting his neighbor Maria, a forgotten instinct comes to light and he commits his first murder. The next morning, to Davi’s surprise, Maria reappears in his apartment and begins to influence the boy to follow a journey of crimes that will reveal his true nature: of a serial killer.

Ridículos

Four of the best clowns of Salvador return to the place where they were initiated 15 years before to conduct an initiation process of a new clown. In addition to the memories of this experience and its consequences in Salvador's clown scene, the creative process of these artists is revealed in a metalinguistic environment, a tribute to the act of creating.

Pinta

Dubbings, stunts, remixes, aesthetic covers. Diffuse, decentralized, peripheral, tipsy. Theme: an extemporaneous choreographic chanchada. Content: artistic nudity, discrete zoophilia and dance.

Filmed Memory of Eternal Longing

This documentary is a record of moments with family, friends, travels, outings, and a passion that Carla inherited from her father. The need to encapsulate time led her to film her daily life with Bahian friends in Barcelona, a city where she lived the best of her youth for eight years. When she decided to return to Brazil, everything took on new significance. It was then that she began the project of making a documentary to immortalize that period. The casual recordings turned into an obsession, and her friends were interviewed, totaling more than 50 hours of filmed memories and a year of editing in Brazil. This process was a painful stagnation in the past, an effort to make sense of material that fed a difficult feeling to overcome: longing. The result is a delicate film that reflects on exile, memory, time, family, change, and life.

Náufragos

Odete tries to guess where her husband would be hidden. But there is no possible hiding place.

10 Centavos

A day in the life of a boy who lives in the railway suburbs of Salvador and works as a car guard in the historic center.