Andrés Sanz Vicente

Les mystères des Ménines

Investigation into the painting "Las Meninas", by Diego Velázquez, exhibited at the Prado Museum, in Madrid, and the way in which reality is represented through images.

The Painting

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

The Painting

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

The Painting

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

The Painting

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Flat Love

A man, convinced that the world is actually flat, falls in love with a two-dimensional woman at the Museum of Modern Art in New York. FLAT LOVE is a unique, funny tale of love and obsession .

Flat Love

A man, convinced that the world is actually flat, falls in love with a two-dimensional woman at the Museum of Modern Art in New York. FLAT LOVE is a unique, funny tale of love and obsession .

Emily, Greensboro

A chronicle of a man's desire for Emily, a woman who changes constantly (and, in turn, becomes WOMEN: "...and the other was Emily too... Emily could be anything... Each change came faster") that is also a memory of lust preserved in a greenhouse

Emily, Greensboro

A chronicle of a man's desire for Emily, a woman who changes constantly (and, in turn, becomes WOMEN: "...and the other was Emily too... Emily could be anything... Each change came faster") that is also a memory of lust preserved in a greenhouse