Anita Lee

A Mother Apart

In this emotional, sweeping tale of healing and forgiveness, powerhouse Jamaican American poet and LGBTQ+ activist Staceyann Chin embarks on an international journey to re-imagine the art of mothering—having been abandoned by her own mother as a young child.

7 Beats Per Minute

Freediving champion Jessea Lu nearly died during a world-record attempt. She revisits the site of her near-death in this documentary, facing past traumas and struggling back to life.

To Kill a Tiger

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

Boat People

As a child in Vietnam, Thao’s mother often rescued ants from bowls of sugar water. Years later they would return the favour. Boat People is an animated documentary that uses a striking metaphor to trace one family’s flight across the turbulent waters of history.

The Perfect Story

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

The Colour of Ink

A feature film that follows Jason Logan, who creates unique inks for some of the world’s most celebrated artists by using highly unconventional materials, many of which he finds while foraging in locations ranging from the landfill beaches of Toronto’s Leslie Street Spit to the Mojave Desert. Among the more unusual materials he employs are weeds, rocks, and even rust. Logan’s fans range from the legendary Robert Crumb to New Yorker cartoonist Liana Finck and Japanese artist Koji Kakinuma.

Ever Deadly

Ever Deadly weaves concert footage with stunning sequences filmed on location in Nunavut, seamlessly bridging landscapes, stories and songs with pain, anger and triumph—all through the expressions of Tanya Tagaq, one of the most innovative musical performers of our time.

Ever Deadly

Ever Deadly weaves concert footage with stunning sequences filmed on location in Nunavut, seamlessly bridging landscapes, stories and songs with pain, anger and triumph—all through the expressions of Tanya Tagaq, one of the most innovative musical performers of our time.

Have You Eaten?

Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.

I Am Gay

After working abroad for five years, filmmaker Ajahnis Charley returns home to Oshawa, Ontario, in the age of quarantine. In addition to reuniting with his family, he returns with a mission to share some deep personal truths. Surprising conversations ensue with his mother and three siblings creating, in this humorous and heart-wrenching story about our need to seek love and acceptance within our own families.

The Bassinet

When a vintage bassinet appears at filmmaker Tiffany Hsiung and long-time fiancée Victoria Mata’s home, it sets off a chain reaction of emotions. "The Bassinet" is a gentle and affecting story about Tiffany’s personal struggle with the intersection of her sexual orientation and cultural identity, and the cross-generational burden of having a baby in the context of rigid social constructs of marriage and family.

Reviving The Roost

Filmmaker and bestselling author Vivek Shraya’s ode to a popular Edmonton gay bar that closed in 2007. With pulsating neon-light animation, Reviving the Roost is a story about community complexity and longing, and an elegy to a lost space.

This Is Not a Movie: Robert Fisk and the Politics of Truth

For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.

What Is Democracy?

A vast, timely, and often chilling investigation into the idea and practice of democracy, ranging from Ancient Greece and Renaissance Europe to civil rights, fears of voter fraud, and the spectre of authoritarianism.

Unarmed Verses

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

The Apology

"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.

Etlinisigu'niet (Bleed Down)

Etlinisigu’niet (Bleed Down) is part of Souvenir, a four-film series addressing Indigenous identity and representation by reworking material in the NFB’s archives.

Mobilize

A journey by canoe into the city creates a dynamic interconnection between natural and urban spaces, in this evocative short set to a hypnotizing soundtrack by Inuk artist Tanya Taqaq.

Mobilize

A journey by canoe into the city creates a dynamic interconnection between natural and urban spaces, in this evocative short set to a hypnotizing soundtrack by Inuk artist Tanya Taqaq.

Sisters and Brothers

In a pounding critique of Canada's colonial history, this short film draws parallels between the annihilation of the bison in the 1890s and the devastation inflicted on the Indigenous population by the residential school system.

Nimmikaage: She Dances for People

Both a requiem for and an honoring of Canada's First Nations, Métis, and Inuit women, this short film deconstructs the layers of Canadian nationalism. In the process, it reverses the colonial lens by shifting the balance of power to reclaim the Canadian narrative, putting the enduring strength and resilience of Indigenous women at the forefront.

Stories Sarah Tells

Tribute to director, screenwriter and actress Sarah Polley. A whimsical, playful film tells the story of the kinds of stories Polley tells, using humorous, simple line animation, the film comments on the messiness of life and art.

Stories We Tell

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

Tiger Spirit

Korea is a divided nation. Filmmaker Min Sook Lee sets out on a revelatory, emotion-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people.

Late Fragment

Faye, Kevin and Théo three troubled strangers, three lives fractured by thoughts and acts of violence. In the interactive feature film Late Fragment, their narratives interlock in a unique cinematic experience in which you play a creative and interactive role. Navigating through the movie, you uncover their stories, and their secrets, at will, controlling the flow and direction of the elaborate sequencing with a simple click.

Woodland Spirits

In this documentary short, two men paddle a canoe across a remote part of northern Lake Superior. Each stroke brings them closer to the culmination of an artistic and spiritual journey, one that begins with ancient rock paintings from their Anishinaabe ancestors.

The Art of Woo

Alessa Woo (Lee) is an ambitious art dealer who meets her match in gifted painter Ben Crowchild (Beach) in this romantic comedy.

Translating Grace

An innovative drama that explores the unique relationship between two Korean-Canadian women. Grace, a second generation feminist academic, and Hyang-Sook, a recent immigrant from Korea. Grace is the translator for Hyang-Sook's immigration interviews and finds herself facing a moral dilemma-- is translating a lie an act of lying itself? The conflict is played out in Grace's psychic lanbdscape. In a role as a kiseang, a female court prostitute of 15th century Korea, she finds herself engaged in a mysterious poetry (sijo) competition with Hyan Sook dressed as a nobleman. The structure of the film incorporates elements of Korean performance art and popular Korean melodrama.