Anne-Marie Faux

Et que l’espérance est violente

Video letter directed by Anne-Marie Faux on the occasion of the 20th anniversary of the Côté Court Short Film Festival.

Head on to the Wind

There is no denying that autobiographical intentions and introspection have their pitfalls. But a man's voice off screen sets the tone from the start: "There is no such thing as a private diary. The very expression is nonsensical." No chance then to see outpourings, confessions or explanations.

Cortex

Trapped in an old folks home where people keep going missing, an ex-cop must overcome his Alzheimers to find out who is killing people in this jigsaw thriller.

Hic Rosa, Botanical Score

From what was to me a gift of friendship day: a book makes some of Rosa Luxemburg's prison letters written by her friends Sonia Liebknecht and Mathilde Wurm between July 1916 and October 1918. And all the jingles who composed this period: songs of birds, plants, colors and sounds passages. Those for events in the events of the being-locked. As for the outside: October, World War Revolution, The emigrant and Chaplin The Adventurer, The affliction flowers and Klee's zoological garden. Appearances / disappearances, present stories, their intertwined. Destinies.

Maurice Pialat, l'amour existe

A documentary about the life and career of Maurice Pialat produced by his widow, the accomplished film producer Sylvie Pialat. The film interweaves clips from his films with interview footage of Pialat, who speaks of growing up as an only child, his interest in painting, his early influences in cinema from Yasujiro Ozu to John Ford, his disaffection with the French New Wave, and the theme of abandonment in his films. Pialat’s remarks offer insights into his aesthetic strategies and hint at his reputation as a challenging, irascible director, known for having pushed his actors to deliver raw and powerful performances.