Annie Gisler

Les nouvelles Èves

June 2020, Corona, one year after the national women's strike. Six directors dive into the everyday life of six women and explore what it means to be a woman in today's Switzerland.

Les nouvelles Èves

June 2020, Corona, one year after the national women's strike. Six directors dive into the everyday life of six women and explore what it means to be a woman in today's Switzerland.

The Little Death

Even now, in times of an ubiquitous sexualisation of everyday life, the female orgasm continues to remain a mystery. In the documentary essay LA PETITE MORT, women of different ages and with different sexual preferences share how they experience orgasms, describe what it feels like and open up about a failed climax. Removed from pornography and excessive eroticism, they open up in indirect conversation with director-narrator Annie Gisler, who illustrates the sensual narratives of her protagonists with poetic, abstract and metaphorical images. Driven by the desire to overcome taboos and expectations that still overshadow female sexuality, the young Swiss filmmaker provides a sensitive and humorous examination of feminine intimacy in all its multifaceted richness. A dialogue among women, for women. And men.

Célestine

When Celestine learns from her big sisters that she was bought from an orphanage, her way of seeing things dramatically changes.

Célestine

When Celestine learns from her big sisters that she was bought from an orphanage, her way of seeing things dramatically changes.

Parvaneh

Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.

Parvaneh

Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.

Parachutes

In a future where the sea doesn’t exist anymore and where adults imitate things from the past, dozens of children are building sand pies on an artificial beach. Only 12-year-old Estelle looks at a wall on which the sea is painted. Thibaud, her peer, approaches the girl and pretends he can see the things that no longer exist. He takes her to his hiding place and tries to convince her to take a pill that would allow her to see the real sea.