Arvinder Gill

Malaal

When a rowdy Shiva’s world collides with that of a demure Aastha’s, whose family has just moved into the chawl he resides in, sparks fly between them. But given their completely different backgrounds, is there any scope for their romance to bloom and survive?

Padmaavat

Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.

Bajirao Mastani

Peshwa Bajirao married to Kashibai, falls in love with Mastani, a warrior princess in distress. They struggle to make their love triumph amid opposition from his conservative family.

Gabbar Is Back

A vigilante network taking out corrupt officials draws the notice of the authorities.

Sulemani Keeda

In this slacker bro-mantic comedy, writing partners Dulal and Mainak dream of shaking up the Bollywood film industry with their script “Sulemani Keeda” (Hindi street slang for “Pain in the Ass”). When they’re not being rejected by producers who refuse to read their script, they lurk around bookstores and poetry slams shamelessly hitting on girls. They find some hope when the drug addled, cat-obsessed Gonzo Kapoor, the son of a famous B movie producer, hires them to write an art house film billed as “Tarkovsky with orgies” for his directorial debut. All seems well until Dulal meets Ruma, a beautiful photographer who makes him question his choice to sell out.