Atilla Salih Yücer

Manglehorn

AJ Manglehorn is an aging, ordinary guy in a small town. He nurses his sick cat, squeezes out a conversation with the local bank teller every Friday, and eats at the same place every day. But there is more to Manglehorn than meets the eye: he’s an ex-con who, 40 years ago, gave up the woman of his dreams for a big ‘job’. After a dramatic effort to start over, Manglehorn faces a terrifying moment and is unmasked as a guy with a very, very dark past.

Love Child

A woman is stuck in a loveless marriage to a brutish husband, but when a handsome vagabond stranger appears, her precocious 11-year-old hatches a plan to get rid of his father so that his mother can marry him instead. But things end up backfiring, so he comes up with yet another plan, this one even more devious, with more disastrous and unexpected consequences.

Father Mother Sister Brother

Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.

The Flying Meatball Maker

Kadir, a meatball maker, father of three and native of Diyarbakır, is determined to fly, and he won’t let tradition, his family, the state and his troublesome paramotor stop him from trying. Because while paying the price of freedom. what matters is maintaining hope against all odds.

Nutcrackers

Just as Mike is on the heels of closing the biggest deal of his career, he's pulled away from his bachelor life in the big city to a farm in rural Ohio in order to help his recently orphaned nephews find a new home.

Yasmeen's Element

After losing her homework in the winding paths of her mountain town, resourceful Yasmeen sets off alone on an unexpected journey to find her Professor.

The Exorcist: Believer

Since his wife's death, Victor has raised his daughter Angela alone. After she and her friend return from a three-day disappearance with missing memories, they begin displaying frightening behavior reminiscent of the MacNeil possession fifty years prior.

Halloween Kills

Michael manages to free himself from Laurie Strode's trap to resume his ritual bloodbath. As she fights for her life from injuries from their last encounter, she inspires her daughter Karen, her granddaughter Allyson, and all of Haddonfield to rise up against the unstoppable monster.

Time of Day

Shot over the course of six weeks on 16mm film by Greek cinematographer, Thimios Bakatakis (The Lobster and The Killing of a Sacred Deer), the new rag & bone Films short coincides with the launch of the rag & bone Fall 2018 collection. The film was shot in New York and Los Angeles and features Kate Mara, Boyd Holbrook, Pom Klementieff, Lakeith Stanfield, Reed Morano, Lake Bell, Jon Hamm and Emma Roberts. To capture the spirit of cinema verité, each character was shot by Bakatakis through a handheld approach and using available lighting.

The Killing of a Sacred Deer

Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways.

Dayveon

In the wake of his big brother’s violent death, 13-year-old Dayveon struggles to find his way in an economically depressed Arkansas town. With no parents and few role models around, Dayveon is soon torn between the lure of a local gang and the friendship of his sister’s boyfriend.

Rosewater

In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran's volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn't like it - and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison.