Barbora Kinkalová

Jungle/Placht

Czech painter and artist Otto Placht (1962) is sometimes called the painter of the jungle. His creative and private life is divided between Prague and Peru, where he draws inspiration from the depths of the Amazon rainforest, ayahuasca and the local people. The film shows his creative process in the interiors of Prague and a studio built right in the rainforest. Poetic shots of nature are interspersed with the harsh realities of the big city, in which Placht's passionate love life and complicated family life are also revealed. The artist's paintings have proven to be not only a fascination with and homage to immaculate nature, but also an environmental plea for its protection.

Mucha: The Story of an Artist Who Created a Style

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

Mucha: The Story of an Artist Who Created a Style

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

Czech children

One of the most notable anti-communist initiatives in the late 80s was the movement called Czech Children. They published their manifesto in May 1988, and the signatories were mostly young people. The movement expressed independent thinking and significantly contributed to the demonstrations in 1988 and 1989, especially during the so-called Palach Week in January 1989. In the document "Czech Children," the authors focus primarily on a young audience, aiming to remind them that the need to stand against injustice is not bound by age.

The Karamazov Brothers

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

The Karamazov Brothers

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.