Bernard Bellefroid

One of the Thousand Hills

They did not know that being born as Tutsi was a crime in Rwanda. The lives of Fiacre, Fidéline and Olivier ended in 1994, and the last days of these children are linked to three events: the memory of the genocide, the Gacaca trials of 2005 and the resilience of the village where those who were devastated and those who loved them live a life together again. The film tries to approach the truth, to restore its existence and to preserve the history of a hill for all hills.

One of the Thousand Hills

They did not know that being born as Tutsi was a crime in Rwanda. The lives of Fiacre, Fidéline and Olivier ended in 1994, and the last days of these children are linked to three events: the memory of the genocide, the Gacaca trials of 2005 and the resilience of the village where those who were devastated and those who loved them live a life together again. The film tries to approach the truth, to restore its existence and to preserve the history of a hill for all hills.

Melody

Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.

Melody

Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.

The Boat Race

Alex, 15, lives alone with his dad, enduring relentless physical violence, rebelling against everyone. To escape from this daily life, Alex rows on the Meuse river, and has only one obsession: to win the Belgian Singles Championships at any cost. Sergi, his coach, and Muriel, the young girl he's in love with, will enable Alex to rediscover the human values he has lost. A long and tough learning curve...

The Boat Race

Alex, 15, lives alone with his dad, enduring relentless physical violence, rebelling against everyone. To escape from this daily life, Alex rows on the Meuse river, and has only one obsession: to win the Belgian Singles Championships at any cost. Sergi, his coach, and Muriel, the young girl he's in love with, will enable Alex to rediscover the human values he has lost. A long and tough learning curve...

Rwanda, les collines parlent

Eleven years after the genocide, the film accompanies survivors and executioners before and after the first Gacaca trials where they come face to face. There is Obede, accused of killing children and whose request for forgiveness is just a cynical strategy to be released. There is Gahutu, who has "no remorse" and who in front of his judges, always speaks of "snake" to talk about those who were exterminated. Finally, there is François, forced to kill his own brother in order to survive and who is now trying to reconcile with his sister-in-law. Through these three stories, the film weaves a portrait of a society at war with the ever-present ideology of genocide.

Rwanda, les collines parlent

Eleven years after the genocide, the film accompanies survivors and executioners before and after the first Gacaca trials where they come face to face. There is Obede, accused of killing children and whose request for forgiveness is just a cynical strategy to be released. There is Gahutu, who has "no remorse" and who in front of his judges, always speaks of "snake" to talk about those who were exterminated. Finally, there is François, forced to kill his own brother in order to survive and who is now trying to reconcile with his sister-in-law. Through these three stories, the film weaves a portrait of a society at war with the ever-present ideology of genocide.