Bernardo Zanotta

Tragedy

When the filmmaker receives his first video camera at 13 years-old, he begins to film his family during their holidays. Together with his stepmother, bonding over their shared feeling of neglect, he starts plotting the murder of his father. Stumbling upon this material more than a decade later, Zanotta playfully revisits and rehashes this hidden childhood into a found-footage genre tale, proudly showing both the crime they commit and the genesis of his love for cinema.

Heart of Hunger

A hungry heart, a celebration of the body, both exposed and concealed at the same time, like baroque paintings: guilty, ashamed or further alienated from our voyeur gaze. A secret dividing the actors and their scenic world from the public who has come to witness it; an episodic narration around what is unutterable; two friends travelling in the same boat and playing lustful and sadistic games. The characters in Heart of Hunger can act, feel and experiment, but they cannot testify as to the relationships that determine them. They lose each other, they find each other; the heart is a lonesome hunter.