Bert Deling

Keiron: The First Voyager

Humans on an artificial planet fight to survive against the Karbaths and themselves.

Keiron: The First Voyager

Humans on an artificial planet fight to survive against the Karbaths and themselves.

Matthew and Son

A widowed police surgeon tries to save the world at the same time as maintaining a bond with his teenage son.

Dead Easy

Three young friends trying to break into the entertainment business inadvertently anger a mob boss, setting in motion a chain of events that results in their being hunted by every thug and killer in town.

Dead Easy

Three young friends trying to break into the entertainment business inadvertently anger a mob boss, setting in motion a chain of events that results in their being hunted by every thug and killer in town.

Pure Shit

Four young heroin addicts scour the streets of Melbourne in search of some good-quality narcotics – or as they call it, 'pure shit’. In the space of 48 hours, a friend dies of an overdose, they are ripped off by criminals and arrested and assaulted by police. They bungle a break-in, get chased by hooligans and one is sent to a methadone clinic. The search for drugs veers between farce and tragedy, but it never stops.

Dalmas

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.

Dalmas

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.