Bhekizizwe Peterson
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Total Films
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Also Known As (female)
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Birthday
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Total Films
Also known as (female)
Place of Birth
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Birthday
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Genres
0
Total Films
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Also Known As (female)
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The Battle for Johannesburg
The Battle for Johannesburg captures the changing face of a city that’s preparing to host the 2010 FIFA World Cup. It’s a tale of property developers vying for sections of the crumbling city with renewed excitement, of a city council determined to create a world-class city and ultimately of how this affects the hundreds of thousands of people who have made the city slums their home. There is money to be spent, even more, to be made and conflicting interests are at stake. As whole areas around stadiums get a brush-up and the middle classes, black and white, begin to move back in, beneath the scramble for property and space is a human story of survival. The eyes of the world are on South Africa. The film raises universal questions such as does urban development have to mean gentrification and is it possible to create a world-class city for all?Year:
2010

Born Into Struggle
In this documentary, the filmmaker Rehad Desai takes us on an intimate journey mapped out by the scars etched into his family's life from having a father who was intensely involved in politics. Barney Desai was a political activist during South Africa's struggle for freedom, yet as a father he was absent emotionally. Rehad spent most of his young life in exile and became politically active himself. On this intensely personal journey into his past, Rehad realizes he is following in his fathers footsteps as he reviews his relationship with his own estranged teenage son.Year:
2004

Zulu Love Letter
Thandeka, a young Black journalist, lives in fear of Johannesburg's past. She's so troubled that she can't work, and her relationship with her 13-year-old deaf daughter Mangi goes from bad to worse. One day Me'Tau, an elderly woman, arrives at the newspaper's office. Ten years earlier, Thandeka witnessed the murder of the woman's daughter Dinéo by the secret police. Me'Tau wants Thandeka to find the murderers and Dinéo's body so that the girl can be buried in accordance with tradition. What Me'Tau couldn't know is that Thandeka has already paid for her knowledge, for having dared stand up to the apartheid system run by the whites. Meanwhile, Mangi secretly prepares a Zulu love letter: four embroidered images representing solitude, loss, hope, and love, as a final gesture towards her mother so that she won't give up the fight.Year:
2004