Bruno Monsaingeon

Klaus Mäkelä, Towards the Flame

Meet conductor and cellist Klaus Mäkelä through the eyes of Bruno Monsaingeon. The legendary director discovered the young maestro's genius for the first time in 2021 at a concert by the Orchester de Paris, when he was just 25 years old. Through his traveling and musical collaborations, the director reveals himself as a conductor who is to leave his mark on the 21st century

In Harmony

After a serious accident on a film shoot, Marc, an equestrian, loses all hope to mount back on. His insurance company instructs Florence to handle his case. This film is the story of their meeting.

Thirty Two Short Films About Glenn Gould

A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.

Glenn Gould: a Portrait

Glenn Gould: A Portrait is a biography of pianist and "explorer of sounds" Glenn Gould. The 105-minute program -- a montage of interviews, photographs, recording sessions, and concerts -- depicts the life and times of this late musician. Highlights of the film include pictures and scenes from Gould's life in Canada, as well as interviews with Geoffrey Payzant, broadcaster Margaret Pacsu, musician John Peter Lee Roberts, and music critic Paul Hume. Gould's personal views on animals (especially his affinity for skunks), his psychiatry, pacifism, and solitude are reflected on by family and friends.

An Art Art of the Fugue

In Part II of the series "Glenn Gould Plays Bach", Gould concentrates on the fugal form in Bach's works, showing us how Bach uses keys like stops on an organ, and how they give him ideas and colours. He performs various fugues from the Well-Tempered Clavier and reveals why he feels the "Art of Fugue" is the work that summed up Bach's life.

The Question of Instrument

Part I of the series "Glenn Gould Plays Bach" is devoted to Bach's "Art of Fugue." Gould's performance is followed by a lively repartee with Monsaingeon, in which the pianist provides dazzling insights illustrated by music examples. He explains, for example, why he plays some pieces extremely slowly, and bemoans the "musicological overkill" of scholars who insist that Bach's keyboard music should only be played on a harpsichord.

Glenn Gould: The Alchemist

Filmmaker Bruno Monsaingeon visits piano virtuoso Glenn Gould more than ten years after his self-imposed exile from the stage, which results in a mixture of interview and performance.