Camille Duvelleroy

Patience mon amour

Alice longs for a child for quite a while. Really quite a while. Gabrielle has never give much thought on the matter. After living together for seven years they decided it’s time for them to begin the process. The appointment is scheduled to be held on a clinic in Barcelona, however Alice finds out she suffers from endometriosis. Gabrielle, who had never wanted to have children, decides out of love to submit to the assisted reproductive technology.

Patience mon amour

Alice longs for a child for quite a while. Really quite a while. Gabrielle has never give much thought on the matter. After living together for seven years they decided it’s time for them to begin the process. The appointment is scheduled to be held on a clinic in Barcelona, however Alice finds out she suffers from endometriosis. Gabrielle, who had never wanted to have children, decides out of love to submit to the assisted reproductive technology.

Encore un peu de patience mon amour

Alice has wanted a child for a long time. Gabrielle just never thought about it. After seven years together they are finally getting started. Appointments are made, treatments are taken. After Alice suffers some disappointing results in Barcelona, the tables are turned and Gabrielle decides to go through with the artificial insemination process.

Encore un peu de patience mon amour

Alice has wanted a child for a long time. Gabrielle just never thought about it. After seven years together they are finally getting started. Appointments are made, treatments are taken. After Alice suffers some disappointing results in Barcelona, the tables are turned and Gabrielle decides to go through with the artificial insemination process.

On/Off

Many people live out their final days inside of a hospital, and in France, intensive-care personnel are becoming society's undertakers. Going behind the closed doors of an intensive care unit, this project uncovers the rhythms of daily life for health-care professionals. As it moves through their routines, their atmosphere and their conversations, it immerses viewers in the intense demands of confronting and “managing” death on a day-to-day basis. In France, we die in hospital, often in intensive care. Why ? Because this highly technical discipline concentrates the last hopes of our civilization which no longer wants to die. Caregivers, despite being trained to save lives, are on the way to becoming the undertakers of our society. This is not without consequence. By staging their words, their daily lives in the service, our project tells of the difficult confrontation with the end of life by the caregivers who manage it every day.