
Catherine Gund
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Total Films
Also known as (female)
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Total Films
Catherine Saalfield
Also Known As (female)
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Total Films
Also known as (female)
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Total Films
Catherine Saalfield
Also Known As (female)
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12 Works
director
30 Works
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3 Works
Meanwhile
A groundbreaking, immersive, nonlinear cinematic journey where artists' expressions blend with historical and real-life footage, unveils the profound impact of white supremacy on our human connections. Led by a dynamic team including Jacqueline Woodson, Catherine Gund, Erika Dilday, Meshell Ndegeocello, and M. Trevino, this collaborative masterpiece weaves together diverse visions, poignantly revealing how race, racism, and resistance shape our shared breath, not just in moments of crisis, but in the enduring, pervasive legacy of that risk.Year:
2025
Beyond the Aggressives: 25 Years Later
Follows the lives of four queer masculine-presenting BIPOC – all assigned female at birth – as they challenge conceptions of gender identity while navigating life’s hardships and triumphs.Year:
2023
Primera
On October 18 2019, a student uprising was triggered in Santiago over the Chilean government’s increase in metro fare. As the country awakens to the unrelenting abuse of power enacted by a neoliberalist government, and a mistrust in the political class intensifies, we follow Angy and Felipe—two parents who embrace their new roles as activists and enlist in the expanding movement that is fighting for a new Constitution and a just society.Year:
2022
Primera
On October 18 2019, a student uprising was triggered in Santiago over the Chilean government’s increase in metro fare. As the country awakens to the unrelenting abuse of power enacted by a neoliberalist government, and a mistrust in the political class intensifies, we follow Angy and Felipe—two parents who embrace their new roles as activists and enlist in the expanding movement that is fighting for a new Constitution and a just society.Year:
2022
Aggie
An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration.Year:
2020
America
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.Year:
2019
Chavela
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.Year:
2017
Born to Fly: Elizabeth Streb vs. Gravity
Born to Fly pushes the boundaries between action and art, daring us to join choreographer Elizabeth Streb and her dancers in pursuit of human flight.Year:
2014
Motherland Afghanistan
Afghani-American filmmaker Sedika Mojadidi shadows her father, a women's health specialist working to rebuild hospitals in war-torn Afghanistan, in this thought-provoking documentary filmed in the wake of the United States' invasion of the region. In a country where one in seven women dies during childbirth, many women are willing to travel for days to receive adequate care from a trained professional.Year:
2007
On Hostile Ground
On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?Year:
2001
Cuz It's a Boy
Catherine Gund interviews butch lesbians about the murder of Brandon Teena.Year:
1994
Among Good Christian Peoples
The film explores some of the historical, emotional and social interpretations of Jacqueline Woodson's personal essay "Growing Up Black and Gay Among Good Christian Peoples." The video combines Woodson reading her own compelling essay with footage shot in Pixel Vision imagining childhood memories through interviews, and adults play-acting by reading a children's Bible and having slumber parties.Year:
1992