Charles A. Taylor

The Half Breed

Delmar Spavinaw, an educated "half-breed," loves Evelyn Huntington, daughter of a racist judge. Evelyn's other suitor is Ross Kennion, a widower with one child, and owner of a vast tract of land which Spavinaw insists belongs to his Indian mother. Spavinaw seeks revenge when Judge Huntington decides to evict the squaw. Assisted by Juan Del Rey, a cattle rustler, Spavinaw steals the title to the land, wounds Kennion, stages a raid on the judge's cattle, and attempts to kidnap Kennion's son and Evelyn. The arrival of the sheriff forces him into flight across the border without his hostages. En route he meets Doll Pardeau, a school friend of Evelyn's, and together they ride for the Mexican border. Caught between a cattle stampede and a sheriff's posse, the couple catch a passing freight train, leaving calamity behind as the train slowly passes.

The Half Breed

Delmar Spavinaw, an educated "half-breed," loves Evelyn Huntington, daughter of a racist judge. Evelyn's other suitor is Ross Kennion, a widower with one child, and owner of a vast tract of land which Spavinaw insists belongs to his Indian mother. Spavinaw seeks revenge when Judge Huntington decides to evict the squaw. Assisted by Juan Del Rey, a cattle rustler, Spavinaw steals the title to the land, wounds Kennion, stages a raid on the judge's cattle, and attempts to kidnap Kennion's son and Evelyn. The arrival of the sheriff forces him into flight across the border without his hostages. En route he meets Doll Pardeau, a school friend of Evelyn's, and together they ride for the Mexican border. Caught between a cattle stampede and a sheriff's posse, the couple catch a passing freight train, leaving calamity behind as the train slowly passes.

The Isle of Love

The original film featured the then unknown Rudolph Valentino. To cash in on his rise to stardom, it was re-edited to feature more of him. Various shots were repeated several times; long shots were blown up into close-ups and inter-cut with other footage; some scenes were projected on a loop, so that Rudolph Valentino repeated the same motions several times over; one scene was used as a flashback; and out-takes from the original were inserted into the new film. In addition, the locale of the new picture was switched from World War 1 Germany to a desert island by the simple expedient of inserting shots of bathing beauties on a palm-fringed beach throughout the film.

Blue Jeans

June, a young orphan, is befriended by Perry Bascom when he shares his lunch with her on the road to Rising Sun. They soon fall in love and marry, only to find out that a woman in Perry's past has come to town to make trouble. Teaming up with the local political bully, the schemers set out to make Perry's life miserable, but June sticks by her husband to the end.

Crime and Punishment

Dramatization of Fyodor Dostoevsky's 1866 novel transplanted to America.

A Corner in Cotton

Peggy Ainslee, the daughter of a wealthy broker, tires of the empty life of society, and determines on a mission of charity and uplift in the poor quarters of New York City