Christa Mühl
11-06-1947
Birthday
Gemini
Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Halle (Saale)
Place of Birth
11-06-1947
Birthday
Gemini
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
Halle (Saale)
Place of Birth
11-06-1947
Birthday
Gemini
Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Halle (Saale)
Place of Birth
11-06-1947
Birthday
Gemini
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
Halle (Saale)
Place of Birth
actor
0 Works
producer
0 Works
director
18 Works
writer
7 Works
other
0 Works

Kollwitz Skizzen
Can you climb and play on monuments? 47 years later, the documentarian Christa Mühl returns with Tobias Lenel and asks today's people what they think about the children playing around the Käthe Kollwitz monument.Year:
2018
Lebenslügen
Year:
2000
Der lange Weg zu Angerer
Year:
1989

Weihnachtsgeschichten
Year:
1986

Weihnachtsgeschichten
Year:
1986
Das wirkliche Blau
Year:
1986
Das wirkliche Blau
Year:
1986
Franziska
Year:
1985
Franziska
Year:
1985
Paulines zweites Leben
Year:
1984
Puppen für die Nacht
Year:
1980

Die Rache des Kapitäns Mitchell
Year:
1979

Die Rache des Kapitäns Mitchell
Year:
1979

Tod und Auferstehung des Wilhelm Hausmann
Year:
1977

Censored: Kuhle Wampe
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.Year:
1975

Censored: Kuhle Wampe
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.Year:
1975

Kollwitz and Her Children
Kollwitzplatz, Prenzlauer Berg: Children are playing and climbing all over the monument to Käthe Kollwitz, frowning adults are watching them. What would Gustav Seitz, the creator of the sculpture, say? Christa Mühl has asked him but reveals his answer only when the adults have finally disappeared. Until then, she constructs explosive matter as light as a feather, set to Belgian cembalo jazz and with the perky montage style that characterises her early documentary work. After Karl-Eduard von Schnitzler himself had the most controversial scene cut, the film could be broadcast on television and triggered a lively discussion about the practical value of art.Year:
1971

Kollwitz and Her Children
Kollwitzplatz, Prenzlauer Berg: Children are playing and climbing all over the monument to Käthe Kollwitz, frowning adults are watching them. What would Gustav Seitz, the creator of the sculpture, say? Christa Mühl has asked him but reveals his answer only when the adults have finally disappeared. Until then, she constructs explosive matter as light as a feather, set to Belgian cembalo jazz and with the perky montage style that characterises her early documentary work. After Karl-Eduard von Schnitzler himself had the most controversial scene cut, the film could be broadcast on television and triggered a lively discussion about the practical value of art.Year:
1971