Christian Laurence

Aurélie Laflamme's Diary

Aurelie Laflamme feels alone in the world, especially since her father's death five years ago. What if her father had been an alien who left Earth to return to his own planet? In that case, Aurelie would be an alien too. That would explain many things such as why she feels different from others, especially her mother, why she can't string two words together without making a mistake, and why boys really get on her nerves. Through the pages of her diary, Aurelie confides her joys and sorrows, successes and failures, love and friendships, and tries to find her place.

Aurélie Laflamme's Diary

Aurelie Laflamme feels alone in the world, especially since her father's death five years ago. What if her father had been an alien who left Earth to return to his own planet? In that case, Aurelie would be an alien too. That would explain many things such as why she feels different from others, especially her mother, why she can't string two words together without making a mistake, and why boys really get on her nerves. Through the pages of her diary, Aurelie confides her joys and sorrows, successes and failures, love and friendships, and tries to find her place.

L’astronaute

The discovery of an astronaut spacesuit trouble the life of a village in the Normandy coast.

L’astronaute

The discovery of an astronaut spacesuit trouble the life of a village in the Normandy coast.

L’astronaute

The discovery of an astronaut spacesuit trouble the life of a village in the Normandy coast.

The Morin's Method

On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.