Аватар персоны Chunni Lin

Chunni Lin

Director
No biography

-

Birthday

-

Zodiac Sign

-

Genres

0

Total Films

Also known as (female)

Place of Birth

Popular works









Creative career

actor

0 Works

producer

0 Works

director

5 Works

writer

0 Works

other

1 Works

Water of Immortality

Water of Immortality

Sculptor Tu-shui Huang (1895-1930) was way ahead of his time, combining traditional Chinese themes with Western influences that he learned while studying at the art academy in Tokyo. This earned him a reputation as the “founder of modern Taiwanese sculpture,” but he also drew criticism.
0.0

Year:

2021

Before the Dawn

Before the Dawn

Eighty years ago, Weng Nao, a Taiwanese young man wrote essays and novels, documenting his life in Koenji, Tokyo. He dies on the eve of the Pacific War, and his death remains a mystery. Eighty years later, the directors come to Koenji to look for the forgotten truth.
0.0

Year:

2020

Yen Yen

Yen Yen

0.0

Year:

2014

Stray Dogs at the Museum

Stray Dogs at the Museum

A dying forest flared up and the flavor of damp ruin, settled in on the tongue: Tsai Ming Liang created an entirely novel artwork with his tenth feature film 'Stray Dogs' at the Museum MoNTUE. Moving images eclipsed, in slivers and swathes, by immovable shadows of deadwood. Waking, sleep and everything in between proved indistinguishable. This documentary recreates elements of existential banality (on view) and guides focus inward. It establishes a firm, if converse, analog between cinema and consciousness: an interplay of movie (and its constituent elements of light, shadow and audience) mirrored in consciousness (and its building blocks of waking, sleep and dream) if you will.
0.0

Year:

-

Stray Dogs at the Museum

Stray Dogs at the Museum

A dying forest flared up and the flavor of damp ruin, settled in on the tongue: Tsai Ming Liang created an entirely novel artwork with his tenth feature film 'Stray Dogs' at the Museum MoNTUE. Moving images eclipsed, in slivers and swathes, by immovable shadows of deadwood. Waking, sleep and everything in between proved indistinguishable. This documentary recreates elements of existential banality (on view) and guides focus inward. It establishes a firm, if converse, analog between cinema and consciousness: an interplay of movie (and its constituent elements of light, shadow and audience) mirrored in consciousness (and its building blocks of waking, sleep and dream) if you will.
0.0

Year:

-