Cilista Eberle
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Total Films
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4 Works
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The New Orleans Concert: The Music of America's Soul
Captured in state-of-the-art High Definition and mastered in Dolby Digital 5.1 Surround Sound, The New Orleans Concert ignites a massive celebration of Big Easy music past and present - redolent in jazz, rollicking piano renditions, classic rhythm and blues, contemporary funk and rock & roll, all as steamy as a sweltering Delta summer's evening. New Orleans' legends, including Allen Toussaint, The Neville Brothers, and legendary drummer Earl Palmer, are joined by Steve Jordan, Bonnie Raitt, Keith Richards and Joss Stone to create this extraordinary musical extravaganza, reminding the world once again that New Orleans is far more than just one nation's treasure.Year:
2006

Make It Funky!
Make It Funky! tells the story of New Orleans through words, sound and picture in this extraordinary documentary featuring the best of New Orleans' musicians, plus special guests Ahmet Ertegun, Bonnie Raitt, and Keith Richards.Year:
2005

Mountain View
A dance drama work that, through movement and very little spoken text, details the interaction of several people residing at or visiting a motel or motor inn named Mountain View. The work spans a period of about 24 hours, following the individuals through late afternoon, an evening spent in the motel bar, and a picnic-style social gathering the next day. Some of the characters encountered are the family who runs the motel (a mother, her young adult son, and an older man, perhaps her father); a spunky, tomboyish girl; an interracial couple lodging at the motel; a young mother; a pair of newlyweds; a barfly; three people involved in a love triangle; and the punkish friends of the motel owner's son.Year:
1989

Matewan
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.Year:
1987