Cindy Lu

Refuse

A Korean American man attempts to clean his filthy room, but finds that something sinister lies within the trash.

The Van

A dutiful son (Eugene Cordero) spends a week moving his eclectic elderly father (Raul Aranas) out of the only home he’s ever known in America. When his father says he won’t leave unless he gets to take his broken down 1986 Toyota Van with him, something he’d much rather leave behind, things get worse. Left with no choice, the son hires a mechanic to fix the van, but finds that what’s really broken is the relationship between himself and his father; a relationship that has been non-existent since the passing of his mother. The son wants his father to move in with his new family and move on with his life, but letting go is easier said than done.

Dealing with Dad

Margaret reluctantly goes back to her hometown with her brothers to deal with the sudden depression of their dad.

Bitch Ass

A gang initiation goes wrong when a group of four recruits break into a house of horror, as they're all forced to play deadly games for their lives.

Poppies

Fate intervenes, when Charles, a young and over-worked American corporate lawyer, finds himself seated beside an elderly Chinese woman with a mysterious past, Auntie Ling on a contemporary flight from Shanghai to New York. After noticing the beautiful bouquet of Poppies that Charles has brought on-board the flight, Auntie Ling reminisces about the early years of her marriage to Shu Zhen, an opium trader in 1940s Shanghai, and tries to coax Charles out of his solitude. Slowly lured into her stories, Charles begins to see the layers beneath Auntie Ling's polished facade. Poppies brought Charles and Auntie Ling together, underscoring the fine line between joy and sorrow...life and death. Influenced by real events, Poppies explores the cross-cultural and cross-generational relationships that develop between strangers in mid-air.