Clara Vuillermoz

Architecton

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?

The Black Garden

Samvel and Avo, Erik and Karen live in the land of a century-old conflict, rooted in the rubble of the Russian Empire. In Nagorno-Karabakh, people live, dream and prepare for a tragedy that is always on the horizon. Over 3 years, Alexis Pazoumian films the epilogue of the black garden, a land where war waits for no one.

Zinder

Unemployed youths, many looking to leave the country for want of better options, are swelling the ranks of gangs that sow violence in Zinder, in Niger. Aïcha Macky explores the origins of the radicalization that is spreading through her hometown and the prospects for escaping it.

This Train I Ride

The adventures of three female wanderers on their journeys thorough the United States of America, who hop on freight trains to travel free. The particular reasons of each one of them for living this life of perpetual motion are unique, a life that gains sense in the wide open empty space of an immense country, historically marked by the mythical rail roads.

The Fruitless Tree

There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.