
Clio Barnard
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Total Films
Also known as (female)
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Birthday
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Genres
0
Total Films
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Also Known As (female)
-
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
-
Place of Birth
actor
0 Works
producer
0 Works
director
13 Works
writer
3 Works
other
0 Works
Ali & Ava
Sparks fly after Ali and Ava meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.Year:
2022
Ali & Ava
Sparks fly after Ali and Ava meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.Year:
2022
Dark River
After her father dies, a young woman returns to her Yorkshire village for the first time in 15 years to claim the family farm she believes is hers.Year:
2017
Dark River
After her father dies, a young woman returns to her Yorkshire village for the first time in 15 years to claim the family farm she believes is hers.Year:
2017
The Selfish Giant
A hyperactive boy and his best friend, a slow-witted youth with an affinity for horses, start collecting scrap metal for a shady dealer.Year:
2013
The Selfish Giant
A hyperactive boy and his best friend, a slow-witted youth with an affinity for horses, start collecting scrap metal for a shady dealer.Year:
2013
The Arbor
The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".Year:
2010
Dark Glass
A psychological micro-drama that moves from the sanctuary of a domestic garden to the half-remembered shadows of a house, Clio Barnard’s Dark Glass peers back into a semi-veiled interior world of fraught, ambivalent memories. Shot on a mobile phone camera to accentuate a feeling of intimacy and immediacy, the flickering nature of the footage also emphasises the film’s uncanny, otherworldly quality.Year:
2006
Road Race
A film/video installation centered on a 'buggy race', an illegal pony and trap race organised by gypsies on a motorway. The film plays with documentary and cinematic forms to address notions of artificiality and representations of the real.Year:
2004
Random Acts of Intimacy
Random Acts of Intimacy is a film about brief moments of contact and sexual intimacy. It addresses notions of erotic memory, sexual fantasy, sexual desire and romantic love. It explores the possibility that sex with strangers might be the closest we get to realising current notions of romantic love - intense, passionate, impulsive.Year:
1999
Headcase
This is a home-movie horror film. Its heroine, Stretch, adopts a severed head as her companion and hijacks her own story to investigate it for herself and for her audience.Year:
1997
Hermaphrodite Bikini
Director Clio Barnard, using Harry and Paintbox techniques, intercut with a Hi-8 video diary, presents a non-narrative collage addressing sexual difference and artifice, both imagined and real.Year:
1995
Bedlam
Bedlam involves an imaginary meeting between two literary characters, Bertha Mason from Charlotte Bronte’s Jane Eyre and Antoinette Cosway from Jean Rhys’ Wide Sargasso Sea. In Bedlam, Bertha and Antoinette are confined and policed in a place where their experiences have been reduced to types of illness easily disposable in the field of curing.Year:
1991