Аватар персоны Dana Inkster

Dana Inkster

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Total Films

Also known as (female)

Ottawa, Ontario, Canada

Place of Birth

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Creative career

actor

0 Works

producer

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director

6 Works

writer

1 Works

other

0 Works

24 Days in Brooks

24 Days in Brooks

Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.
0.0

Year:

2007

24 Days in Brooks

24 Days in Brooks

Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.
0.0

Year:

2007

Nocturne: Contemporary Video at Night

Nocturne: Contemporary Video at Night

The 10 new and retooled silent video works presented here are each director's response to a silent and nocturnal viewing situation. They are short, eclectic and remarkably diverse, representing a glimpse of contemporary Canadian video art.
0.0

Year:

2006

The Art of Autobiography

The Art of Autobiography

No two adoptees are alike. Harold & Peter, Lynne & Lynn, Maureen & Stephen and Dana candidly share their stories and reveal how being adopted shapes an individual’s identity right into adulthood. Their stories underline the complexity of adoption as it relates to the human impulse to tell stories about ourselves in pursuit of figuring out where we fit in.
0.0

Year:

2003

From Billie... To Me... And Back Again

From Billie... To Me... And Back Again

A late night musical request launches a nocturnal dreamscape.
0.0

Year:

2002

Welcome to Africville

Welcome to Africville

Welcome to Africville gives voice to what may have been marginalized members of an Afro-Canadian community in 1969. It's intention is to be a catalyst to thought and reflection about the lives and struggles of people from that community whose stories still go untold. It is the fictional account of a family. We listen to the stories of three generations of women and their friend Julius on the day their community is to be destroyed by the municipal government of Halifax. This story is a portrait of four individuals coping with universal uncertainties and insecurities.
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Year:

1999