David Christensen

Don't Let the Sun Catch You Crying

Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.

Wilfred Buck

Moving between earth and stars, past and present, this hybrid feature documentary follows the extraordinary life of Wilfred Buck, a charismatic and irreverent Indigenous Elder who overcame a harrowing history of displacement, racism, and addiction by reclaiming ancestral star knowledge and ceremony.

Our Maternal Home

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

Modern Goose

By inviting viewers to take a closer look at the birds that serve as one of this country’s hardiest symbols, Karsten Wall’s stunning documentary invites a deeper consideration of the conditions we humans have created for them.

Losing Blue

What does it mean to lose a colour? Losing Blue is a cinematic poem about losing the otherworldly blues of ancient mountain lakes, now fading due to climate change. With stunning cinematography, this short doc immerses the viewer in the magnificence of these rare lakes, pulling us in to stand on their rocky shores, witness their power and understand what their loss would mean—both for ourselves and for the Earth.

Assez French

At her family’s cabin on Wakaw Lake, Saskatchewan, renowned Fransaskois singer-songwriter Alexis Normand invites audiences into a series of candid exchanges about belonging and bilingualism on the Prairies.

Heartbeat of a Nation

A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.

The Flying Sailor

The Flying Sailor is based on the Halifax Explosion of 1917 when two ships collided in the Halifax Harbour causing the largest accidental explosion in history. Among the tragic stories of the disaster is the remarkable account of a sailor who, blown skyward from the deck of a British cargo steamer, flew over 2 km before landing completely unharmed, but naked except for his boots.

The Flying Sailor

The Flying Sailor is based on the Halifax Explosion of 1917 when two ships collided in the Halifax Harbour causing the largest accidental explosion in history. Among the tragic stories of the disaster is the remarkable account of a sailor who, blown skyward from the deck of a British cargo steamer, flew over 2 km before landing completely unharmed, but naked except for his boots.

Arctic Song

Depicts Inuit creation stories in all their glory. Arctic Song tells stories of how the land, sea and sky came to be in beautifully rendered animation. Telling traditional Inuit tales from the Iglulik region of Nunavut through song, the film revitalizes ancient knowledge and shares it with future generations.

Arctic Song

Depicts Inuit creation stories in all their glory. Arctic Song tells stories of how the land, sea and sky came to be in beautifully rendered animation. Telling traditional Inuit tales from the Iglulik region of Nunavut through song, the film revitalizes ancient knowledge and shares it with future generations.

Being prepared

As the global pandemic reaches into the Arctic Archipelago, Inuk filmmaker Carol Kunnuk documents how unfamiliar new protocols affect her family and community. Her vividly specific soundtrack juxtaposes snippets from local radio broadcasts, issuing health advisories in both Inuktitut and English, with the sweet sounds of children at play. A richly detailed and tender account of disruption and adjustment.

Love: The Last Chapter

On the outside, it looks like any ordinary seniors' facility. But on the inside, a series of remarkable, late-in-life love stories of three different couples is unfolding.

Kímmapiiyipitssini: The Meaning of Empathy

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

June Night

Working in sublime self-isolation during the strange pandemic spring of 2020, avant-garde filmmaker Mike Maryniuk composes a surreal ode to rebirth and reinvention. Juxtaposing archival imagery with handcrafted animation, he conjures up a shimmering utopian dreamscape, a post-COVID world shaped by the primordial forces of nature—haunted by the genial spectre of Buster Keaton.

John Ware Reclaimed

Filmmaker Cheryl Foggo re-examines the story of John Ware, the Black cowboy who settled in Alberta, Canada, prior to the turn of the 20th century.

K'i Tah Amongst the Birch

Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.

Thursday

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

Stories Are in Our Bones

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Freedom Road: Context

The first of a five-part series of short documentaries: This story begins over a century ago, when the City of Winnipeg decides that the water surrounding the traditional Anishinaabe territory of what is now Shoal Lake 40 First Nation will be diverted and used as Winnipeg’s primary water source. The community, their ancient burial grounds, environment, and ways of life are forever disrupted, and access to opportunities and essential services are severed. Enforced residential schooling and a tainted water supply compound the devastating impact. Community leader and former combat engineer Daryl Redsky sheds light on how generations of complex planning, cultural preservation and mobilization have led us to the current moment—and to the construction of Freedom Road.

nîpawistamâsowin : We Will Stand Up

On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.

Lake

Cree director Alexandra Lazarowich riffs off classic verité cinema to craft a contemporary portrait of Métis women net fishing in Northern Alberta.

A Change of Scenery

Meet Annie, a woman who, despite being caught up in the circus of everyday life, finds her balance. Using live-action footage and traditional animation, filmmaker Anita Lebeau takes us on a whirlwind tour through Annie’s busy world and shows us the power that lies in the small choices we make every day.

Freedom Road: Women / Ikwewag

Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.

Snow Warrior

Snow Warrior is a love letter to the splendour of winter. It captures the beauty of a northern city through the eyes of a bicycle courier named Mariah.

this river

Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.

Angry Inuk

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Seances

Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.

Nowhere Land

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

The Forbidden Room

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

Hadwin's Judgement

A logging engineer, a centuries old tree, and the decision that questions both business and personal values.

Everything Will Be

Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?

Who Cares

Documentary following the stories of Courtney and Shelly, two former Edmontonian prostitutes.

Legend of a Warrior

Legend of a Warrior follows Corey Lee's efforts to reconnect with his father, martial arts legend Frank Lee. For his many students and fans, Frank is martial arts-a high-kicking dynamo whose style of full contact fighting has propelled him into the upper echelons of his profession. Frank is happy to play the role he's cultivated, but his son, filmmaker Corey Lee, wants to look beneath the superhero mask. To do this Corey must enter Frank's world, a world where fighting rules.

We Were Children

For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

We Were Children

For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

Wild Life

An English dreamer experiences both the beauty and harshness of nature when he relocates to the Canadian prairie.

Round Up

This short film traces Pete Standing Alone's personal journey from cultural alienation to pride and belonging. As a spiritual elder, teacher and community leader of the Blood Indians of Southern Alberta, Pete works with youth to repair the cultural and spiritual destruction wrought by residential schools. At age 81, he has come full-circle in his dedication to preserving the traditional ways of his people.

The Mirror

Documentary on the village of Viganella, in the Piedmont Alps, and on its mirror that reflects the sunlight on the hamlet, which otherwise would not reach the valley.

CBQM

This feature-length documentary pays tribute to CBQM, the radio station that operates out of Fort McPherson, a small town about 150 km north of the Arctic Circle in the Canadian Northwest Territories. Through storytelling and old-time country music, filmmaker and long-time listener Dennis Allen crafts a nuanced portrait of the "Moccasin Telegraph," the radio station that is a pillar of local identity and pride in this lively northern Teetl'it Gwich'in community of 800 souls.

Namrata

This short documentary tells the intensely personal story of Namrata Gill – one of the many real-life inspirations for Deepa Mehta’s Heaven on Earth – in her own words. After six years, Gill courageously leaves an abusive relationship and launches a surprising new career.

Cure for Love

A full-length documentary about a controversial evangelical movement that purports to convert gay people into heterosexuals. The film brings us inside this unusual Christian subculture and follows the lives of several young people whose homosexuality is at odds with their religious beliefs.

Six Figures

Warner lives in a cramped townhouse with his wife, Claire, and their two children. While buying a house in Calgary's competitive real estate market, he learns his job isn't as secure as he'd like, and when he asks Claire to reconsider, they fight. On the same afternoon, Claire is attacked; Warner emerges as the prime suspect.

Things Arab Men Say

Worldwide, Arab men are depicted by the mainstream media as terrorists, suicide bombers, or at best, extremists. In Things Arab Men Say, Egyptian-born filmmaker Nisreen Baker paints a very different picture. Join Jay, Ghassan, and their friends as they gather at Jamal’s Eden Barber Shop for a haircut, a shave, and a lively discussion on politics, religion and identity. Although located in St. Albert, an Edmonton suburb, Jamal’s shop could be anywhere, serving as a microcosm of the Arab community. At times serious, but laced with deft humour, the film follows the group as they debate the issues at hand and express often-surprising views that bring us closer to changing the narrative surrounding their community.