David Trueba

Un día en Nueva York con Woody Allen

Spanish filmmaker David Trueba travels to New York to interview Woody Allen, who reviews his filmography and his many personal and artistic concerns.

Stories of Our Cinema

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

Salir de casa

After almost thirty years of his career, the musician Fran Nixon joins film director David Trueba for a travel around Spain in which they'll talk about it and meet some friends.

Ilusión

Daniel, a Spanish filmmaker would like to give his country back some of the hope it has lost due to the financial crisis. He's determined to shoot an inspirational movie about the Moncloa Pact, the agreement that brought back Democracy to Spain after the Franco era. The thing is he wants the film to be a musical.

El último truco

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

Rafael Azcona, oficio de guionista

A long talk with the spanish screenwriter Rafael Azcona, who's credited in the writing of more than 100 films. He's well-known for his colourful scripts, indulging in picaresque characters and flavourful dialogue, but has a wide range of facets. He worked for filmmakers like Luis García Berlanga, Marco Ferreri, Carlos Saura, Fernando Trueba or José Luis García Sánchez.

El elefante del rey

North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.

No Pain, No Gain

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Goodbye from the Heart

Juan is now in his fifties, has a protruding belly, dyes his hair gray and lives alone with a cat who has urinary problems, but despite this, women still find him attractive.

Airbag

Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner Villambrosa finds the ring. Meanwhile Villambrosa's rival gangster Souza sends femme fatale Fatima to check things out. Juantxo and his friends are trying to get the ring back and in the process get involved in the war between gangs.

Los peores años de nuestra vida

Alberto lives with his parents and his brother Roberto, quite attractive, who tells him there are lots of girls. Alberto is a romantic guy, and doesn't find a girl for his own. He knew he was in love as soon as he saw Maria, although he was not very sure of what she thought. His brother told him he would help with her, but things get difficult when Roberto also likes Maria.

Amo tu cama rica

Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can't stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.

Evilio

Evilio, a deranged, knife-wielding maniac abducts three pretty young women and drags them to an abandoned building. He tells his bound and helpless captives that he will call their families one by one - if someone answers the phone, that captive will live; if not, a gruesome death awaits.