Dilip Bose

Lalan Fakir

The heartwarming story of a fakir named Lalon Kar that traces his journey from being a family man to a wandering minstrel and how he spread the message of love everywhere. Note: Though poster art is in color, the movie is B&W. And while released in '87, it had to have been filmed in '84 or earlier, since Baran died in Nov 1984

Sagar Balaka

Indian film starring Dipankar Dey, Soma Dey and Anil Chatterjee

Nishimrigaya

A thrilling tale of crime and deception as Mr. Gonzales' criminal empire faces collapse, entwined with the mysterious Number Three's dangerous game of love and betrayal.

Asati

A wealthy industrialist, despite his wealth, drinks alone at night. His wife, deprived of love, meets a past love interest, leading to unfortunate events.

Ekhonee

Ekhonee depicts the lives and frustrations of a bunch of youth struggling to cope with the adversities of a bureaucratic society. There's a bunch of college students Arun, Tiklu, Shambhu, Biman, Sujit, Urmi whose lives undergo a change after the carefree days of college are over.

The Adventures of Goopy and Bagha

Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?

The Holy Man

A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.

Charulata

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Kashinath

Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.