Dimitri Kourtchine

Mangas, une révolution française

2021 served as a revelation for the last holdouts: thanks to confinement and the “Culture Pass”, manga sales and streaming anime viewing hours have exploded. These are today the dominant cultural works among young people. In truth, the trend has already been present for at least ten years. However, not so long ago, criticisms were rife and politicians accused manga of all evils. For the first time, precursors and current generations, cartoonists and publishers, absolute fans and rappers speak about their passion for these comics from Japan.

Fantômas: A Thoroughly Modern Villain

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

Fantômas: A Thoroughly Modern Villain

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

VHS Revolution

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

VHS Revolution

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Rocky IV: The American Punch

Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.

Rocky IV: The American Punch

Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.