Dinu Cocea

Iancu Jianu, Tax Collector

The movie details the struggle of Iancu Jianu as he's torn between joining the struggle of the poor peasants from which he came from and being on the other side of the law working for the rich.

Ecaterina Teodoroiu

The story of heroine Ecaterina Teodoroiu, the only woman who fought in the Romanian Army during World War 1.

The Court Adjourns the Sentencing

A judge is tasked to investigate a mining accident.

The Paratroopers

A harsh colonel of paratroopers neglects his family after falling in love with a chess player, the sister of one of his paratroopers that got injured because of the jumping punishment given by him.

The Revenge of the Outlaws

Second of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

The Revenge of the Outlaws

Second of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

The Kidnapping of the Maidens

In 19th century Wallachia war-bands of Ottoman Turks from across the Danube river raid Wallachia with impunity, while Wallachia's Phanariote rulers don't oppose them.

The Kidnapping of the Maidens

In 19th century Wallachia war-bands of Ottoman Turks from across the Danube river raid Wallachia with impunity, while Wallachia's Phanariote rulers don't oppose them.

The Outlaws

First of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

The Thistles of The Bărăgan

Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.