Dotan Moreno

A Haunted Home

"A Haunted Home" returns to one of the bloodiest and most forgotten events in the annals of the State of Israel: the massacre that took place on April 11, 1974 at 15 Yehuda Halevi Street in Kiryat Shmona, in which 16 of the residents of the building were murdered by a terrorist squad. Through interviews with the survivors and family members of the murdered, alongside archival materials never before shown, the historical, political and cultural contexts of the massacre are woven together.

We Were a Sterile Bomb

Coming-of-age story of Avi, living in a small Israeli town in the late 1990s. Avi, lonely and introverted, wanders around the city. An encounter with a young man his age shakes his numb world.

Dolor

A Ladino lament song becomes a journey down memory lane, and a poetic farewell to a lost world.

Dolor

A Ladino lament song becomes a journey down memory lane, and a poetic farewell to a lost world.

Like Us, Lovers

In a suburb in Israel, two fathers meet after their kids get into an accident. One insecure and unhappily married and the other divorced and unemployed, they slowly get involved in each other’s life.

Shouk

A teenager lives under the shadow of his controlling mother in peripheral Israel. The story takes place in the limited space of the house, where the sensitive and introvert son takes care of his mother and her needs. Beneath their day to day survival, the film explores questions of marginality and poverty in a society searching for its identity.

I Want Your Love

A minimalist piece, which deals with tabooed issues like gender, sexuality, desire, brutality, love and humiliation.

I Want Your Love

A minimalist piece, which deals with tabooed issues like gender, sexuality, desire, brutality, love and humiliation.

I Want Your Love

A minimalist piece, which deals with tabooed issues like gender, sexuality, desire, brutality, love and humiliation.

Every Time You Go Away I Stab Myself a Little

A short animation piece about sex, consumption, body image, objectification and desperation. In the sex meat market, there is no face and no compassion.

Every Time You Go Away I Stab Myself a Little

A short animation piece about sex, consumption, body image, objectification and desperation. In the sex meat market, there is no face and no compassion.

Line 9

Alon, a married man in his thirties, falls in love and obsessively stalks Jonathan, a ballet student who lives with his older boyfriend. When Jonathan finds out, he becomes a stalker himself.

Line 9

Alon, a married man in his thirties, falls in love and obsessively stalks Jonathan, a ballet student who lives with his older boyfriend. When Jonathan finds out, he becomes a stalker himself.