Edmilson Filho

Férias Trocadas

José Eduardo, known as Zé, owns a small football school and wins a trip with his wife and blogger daughter to Cartagena in a raffle. José Eduardo, known as Edu, is a successful businessman who is going on vacation with his wife and son. The confusion begins when, by mistake, Zé stays at Edu's luxury hotel, which, in turn, ends up at Zé's simple inn. This exchange provides experiences that the two families were not used to, but which ends up uniting them even more.

Vai Ter Troco

Having not received their salaries for months and seeing their bosses, who claim to be bankrupt, squandering money on parties and dinners for high society, two employees decide to charge their late payment, creating a tense atmosphere, with unusual and hilarious situations that expose, in a humorous way, the relationship between them.

Bem-Vinda a Quixeramobim

Aimée is a millionaire influencer who has all her family's assets blocked, except for a farm in the countryside of Ceará that she inherited from her grandfather. She leaves for the hinterland in an attempt to sell the property, but ashamed of the new reality, she invents that she will take a "sabbatical period" for a year. Thus, she will have to deal with her new life and sustain the lie on social media.

Get the Goat

Bruceuilis, a policeman from the countryside, is assigned to rescue Celestina, a goat considered heritage of his small city, and travels to São Paulo. There, he meets police clerk Trindade, who decides to venture out into the field, even though it is not his specialty.

Não Vamos Pagar Nada

Life is not easy for anyone and the money is getting shorter for Antonia, who is unemployed. But she doesn't lose her sense of humor even when she gets into a huge mess. Outraged by the increase in prices in the only market in the neighborhood, which on top of that no longer accepts credit, the housewife sets up a scandal and ends up infecting other customers who, like her, have no money to pay the bill.

Cine Holliúdy 2: A Chibata Sideral

With the arrival of the VCR in people's homes, Francisgleydisson is forced to close his beloved Cine Holliudy. This jeopardizes your son's college tuition, now 18 years old. To salvage his situation, he decides to produce an alien movie using the ugliest people in the local population.

Edmilson Filho: Notas, Comedy about Relationships

Brazilian comedian Edmilson Filho walks his audience through the stages of a modern relationship, playing up the differences between men and women.

O Shaolin do Sertão

Aluízio Li is a martial arts fan who lives with his head in the world of fights from dreaming and watching Chinese films. He believes he is a Shaolin monk, dressing and behaving just like his cinematic references. However, he is the subject of mocking jokes in his hometown, Quixadá, in the backlands of Ceará. His days of peace will end when retired MMA fighter Toni Tora Pleura announces a "tour" of challenges to bullies in several cities in the interior of Ceará, including Quixadá.

Loucas pra Casar

Malu, Lúcia and Maria found the ideal man to marry. Until they discover that in reality this man is the same person: Samuel, who was dating all of them over the past years. The three will have to decide if they will fight amongst each other for exclusivity or will unite in revenge.

Cine Holliúdy

During the seventies, the massive arrival of television in the Brazilian countryside puts in jeopardy the business of running small movie theaters. Francisgleydisson is the owner of Cine Holliudy, and he must be extremely creative to keep his passion for cinema alive.

As Mães de Chico Xavier

Three mothers see their reality become completely, they are: Ruth, whose teenage son, Raul, faces problems with drugs; Elisa, trying to make up for the absence of her husband giving full attention to the child, the little Theo, and Lara, teacher who faces the dilemma of an unplanned pregnancy. These three women, living in different times of their lives, seeking comfort next to Chico Xavier. And Karl reporter remains insisting on interviewing the medium, even without being prepared for it.