Eduardo Pavlovsky

Three in the Drift of the Creative Act

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Women Are Late

Regina and Fernanda are the owners of a family hotel in the province of Buenos Aires that has lost the splendor of other times. Submerged in bankruptcy are by chance with a significant sum of money brought by a mysterious guest.

Potestad

A 60 year old medic tries to reconstruct a traumatic fact that changed his life while he is in the subway: the lost of his ten years old daughter.

The Cloud

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

The Impostor

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

Forbidden

Portrait of the persecution of various intellectuals in the period from the overthrow of María Estela Martínez de Perón to the Falklands War.

País cerrado, teatro abierto

The history of the Teatro Abierto, which was initiated on July 28, 1981 as a cultural reaction against the last Argentine civic-military dictatorship, and organized by a group of artists and workers from the theater world

Miss Mary

A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.

Cuarteles de invierno

A boxer and a singer are hired by the Armed Forces to entertain the people of a small town. When their personalities and principles get them in trouble with the authorities, they support each other as they face their destiny.

The Children of the War

Based on the lives of four boys, all of different social classes and psychological makeup, this film tries to reflect through them the political history of Argentina during the years leading up to the Malvinas War.

Heroína

A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.

Los herederos

A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.

The Knight of the Sword

The life story of Argentine independence hero Jose de San Martin.