Elena Pardo

Leave What Scares You

From the communal future, a woman recalls the words of her ancestors, women warriors who gathered to record their words about community service. At the same time she questions her own future: Will we ever stop fighting? Does anyone care what we say?

Children’s Game #13: Piñata

A piñata is a papier-mâché figure stuffed with sweets. Common at birthdays in urban patios, here we find it in a field, where a garish Superman dangles between tall poles on a rope jerked by an adult, to make hitting harder. Each player is blindfolded and spun around several times before attempting to hit the piñata with a long stick. The kids’ wild swinging is directed by the shouts of friends, while the allotted time of each turn is counted down in a singsong about finding and losing one’s way. Fierce blows are dealt with varying accuracy until the piñata is fully smashed open and its sweets shower to the ground, leaped on by all the kids at once. The hollow, punctured figure is triumphantly dismembered.

Children’s Game #12: Musical Chairs

The game is filmed from above in a single take, emphasizing the inexorable process of subtraction. Six children place five chairs in a row, facing in alternate directions. When the music starts, the players skip one behind the other around the chairs. When the music stops, everyone scrambles to occupy the nearest chair and one person is left standing. The loser carries a chair away, stomping out of shot to the left. The music starts again, and so it goes on until the winner claims the last chair. Then there is only an empty space.