Elias Grootaers
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Total Films
Also known as (female)
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Birthday
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Total Films
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Also Known As (female)
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Place of Birth
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Birthday
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Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
-
Place of Birth
actor
0 Works
producer
0 Works
director
11 Works
writer
1 Works
other
8 Works

Zlata
Twelve-year-old Zlata has to find her way in Belgium after she inevitably had to flee the war in her home country, Ukraine. Her father, Petro, and Findus, her cat, stayed behind, Mother Ira and little brother Martin came along. Step by step the adolescent girl explores not only her new living environment, but also her own identity. Awaiting the uncertain arrival of her father, Zlata slowly opens up.Year:
2023

Time is
In a quiet and snowy Chechen village, mother tells her daughter about the return of Zara – their relative, who left this place 20 years ago. Outside, the whole world is hidden in a thick white fog. For both women, the upcoming meeting is a bright event in their dull daily life that they are very much looking forward to.Year:
2020

Catskin
Shot in the German countryside, Catskin is a mysterious and alluring portrait of Ludwig, a teenage boy who lives a simple life with his father, grandmother, and their cats.Year:
2020

Erpe-Mere
Surrounded by the sound of nocturnal animals, a girl falls into a deep sleep. Gradually we are drawn into her dream, which unfolds into a cosmic journey through the meadows of Erpe-Mere.Year:
2019

A Country More Beautiful Than Before
The wanderings of a retail trader, Jean-Simon, sketch the contours of a microcosmic informal economy in Congolese society. The financial urgency of everyday life is permeated by the political situation in Congo: a larger, more abstract urgency, which the diaspora experiences from a distance. The film finds itself somewhere in between these two imperatives, between here and somewhere else, the past and the present, small money and big money.Year:
2018

The Flower Shop
In the back room of a flower shop, Tomi, Rasto and Mižu are digging a tunnel in order to break into the safe of the National Bank. After heavy rainfall, the underground maze gets submerged by water and they are forced to stop working.Year:
2018

Inside the Distance
Poetic documentary portraying Giorgi Shakhsuvarian, an Armenian boxing coach from Tbilisi. Living and working in Belgium, he prepares a young boxer to become a European champion.Year:
2017

Inside the Distance
Poetic documentary portraying Giorgi Shakhsuvarian, an Armenian boxing coach from Tbilisi. Living and working in Belgium, he prepares a young boxer to become a European champion.Year:
2017

Not Waving, But Drowning
Not Waving, But Drowning materialises the experience of Indian refugees during their arrest and detention by the harbour police in Zeebruges, Belgium. Within the tense, haunted context of the harbour and the seaside, and together with them, we slowly lose all sense of time and place. Without investigating their past or their future, the human traffic organisations or the Belgian legislation, the film transgresses into the timelessness in which our society imprisons people without papers. This subtle analysis of human exclusion and the reduction of human beings to the physical body makes us wonder if a human can be illegal at all?Year:
2010

Not Waving, But Drowning
Not Waving, But Drowning materialises the experience of Indian refugees during their arrest and detention by the harbour police in Zeebruges, Belgium. Within the tense, haunted context of the harbour and the seaside, and together with them, we slowly lose all sense of time and place. Without investigating their past or their future, the human traffic organisations or the Belgian legislation, the film transgresses into the timelessness in which our society imprisons people without papers. This subtle analysis of human exclusion and the reduction of human beings to the physical body makes us wonder if a human can be illegal at all?Year:
2010

Not Waving, But Drowning
Not Waving, But Drowning materialises the experience of Indian refugees during their arrest and detention by the harbour police in Zeebruges, Belgium. Within the tense, haunted context of the harbour and the seaside, and together with them, we slowly lose all sense of time and place. Without investigating their past or their future, the human traffic organisations or the Belgian legislation, the film transgresses into the timelessness in which our society imprisons people without papers. This subtle analysis of human exclusion and the reduction of human beings to the physical body makes us wonder if a human can be illegal at all?Year:
2010