
Ellie Epp
Director
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Birthday
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Zodiac Sign
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Genres
0
Total Films
Also known as (female)
Alberta, Canada
Place of Birth
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Birthday
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Zodiac Sign
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Genres
0
Total Films
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Also Known As (female)
Alberta, Canada
Place of Birth

-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Alberta, Canada
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
Alberta, Canada
Place of Birth
actor
0 Works
producer
0 Works
director
9 Works
writer
0 Works
other
0 Works

o sea
O illimitable sea / pushing, pushing.Year:
2015

ob pier 5, 3 movements
Form mutates through the elements, fluid into solid and back.Year:
2015

here
A 4-minute drama on an archetypal stage.Year:
2015

last light
You know it's happening but you can't see it happening.Year:
2015

By the Lotus
A 3-minute dip into another zone.Year:
2013

bright and dark
"bright and dark" uses poetry to create a personal narrative about the dynamics of love, light and bodies.Year:
1996

notes in origin
"Shot in northern Alberta, where the artist grew up, the film consists of ten long-take shots of various lengths divided by black leader bearing a number for each successive shot... notes in origin realizes the subtle lyricism that appears in the last image of its predecessor. Here Epp intimates a mysteriously shared and personal complicity of artist and viewer without, however, abandoning that purity and extraordinary elegance that mark Epp as one of the most accomplished of film artist." - Bart Testa, Art Gallery of Ontario catalogueYear:
1988

current
"The conceptual and minimalist aesthetic seen in this film refers to the more complex metaphysical and alchemical transformations which occur when silver is exposed to tungsten light. These currents of light, like Daniel Burren's striped conceptual art, refer to the basic nature of representation while attempting to resist and transform traditional viewing habits or consumption. 'Current' is a beautiful meditation on these realities." - Maria InsellYear:
1986

Trapline
Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".Year:
1976