Elvira de la Mora

Land of Men

On his family's farm, Gilberto keeps weapons to support the revolutionaries. When his father find out, he runs out from the hacienda to join them.

The Three Garcías

Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.

La leyenda del bandido

Mexican movie

Viva Mi Desgracia

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Mexicanos al Grito de Guerra

In times of the French Intervention, a student of Nunó, author of the Mexican National Anthem, falls in love with the niece of the French Ambassador, which causes quite amusing complications.

Allá en el bajio

Ranchera/western; white hats vs. black hats.

Los hijos mandan

Based on the Spanish play "El caudal de los hijos" by José López Pinillos. Francisca, the daughter of a provincial gentleman in Valencia, falls in love with Miguel, a young sculptor. When Miguel leaves for Paris to complete his studies, the lovers promise to wait for each other. During Miguel's absence, however, the Duke of Montesino calls on Francisca's father and asks for her hand in marriage. Her father, pressed for money because of gambling debts, agrees to the match.

¡Ora Ponciano!

'Ora Ponciano stars Chucho Solorzano as the eponymous hero. Set in 19th-century Mexico, the story deals with a celebrated matador named Ponciano, as skillful with the senoritas as with the toros. Special attention is lavished upon the romance between the bullfighter and the fair Rosario (Consuela Frank). Much of the film is given over to authentic re-creations of various folk festivals and dances, with the extras colorfully (and accurately) costumed for the occasion. The fact that the bullfighting sequences are not excessively brutal is an indication that the producers of 'Ora Ponciano hoped to release the film in the U.S.

The Super Madman

Mad scientist, a neanderthal and a drunk makes a crazy combination.