Eric Idriss Kanago

15

Ibuka follows Valentine and Jean-Claude, a new couple, at the very beginning of the civil war and the massacres that swept through Rwanda in 1994. Living in Kigali, the national capital, these young parents make numerous attempts to escape the killings with their newborn. Ibuka is a poetic work filled with tenderness and clarity about a historical tragedy, experienced through the intimacy and formation of a young family forever bonded.

Kanaval

In the mid-1970s, Rico, a 9-year-old Haitian boy, was brutally torn from his native land along with Erzulie, his mother, to a strange planet called Canada. Since their arrival, a distance seems to have grown between mother and son. To regain the love of his mother, Rico will have to understand this New World populated by individuals with strange habits and customs. Fortunately for him, he can count on Kana, his imaginary friend who comes straight out of Haitian mythology.

One Man's Show

On the eve of his fiftieth birthday, an actor discovers that he's got stomach cancer. He must now face his shattered life.

Together

Outaouais, summer 1996. Solange, a 23-year-old Rwandan refugee, finds political asylum in Hull with her four-year-old daughter Lisa. Their integration process is fraught with obstacles and nothing goes as planned. Solange forges a friendship with Nyota, her Congolese-born neighbor, who helps her navigate her new home. From the heavy heat of summer to the first snowflakes of winter, Hamwe follows the pivotal moments of Solange and Lisa's journey towards permanent residency. Together is an ode to the land of welcome that is Quebec, but also to the resilience of my mother and the millions of other political refugees and economic immigrants.

Tina, Photographer And Revolutionary

Tina, Photographer and Revolutionary is a documentary that blends animation and live action to chronicle the life of Tina Modotti, a pioneering photographer and committed activist. The film delves into her artistic journey and political passions, revealing a woman whose legacy continues to inspire.

Bitch: a word movie

Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.

Perhaps one day

Jeanne is a black artist in her sixties who hasn't had the career she'd hoped for. She has fallen into a deep depression. Bitter, she is unable to communicate with her thirty-year-old daughter, whose mere presence reminds her of her failures. Will she be able to rise above her bitterness to start living again and break out of her solitude? Perhaps one day.

Ma Traversée

Ma traversée is a personal quest, filmed over 20 years, recounting the racial issues and privileges that have punctuated the filmmaker’s life in three French-speaking societies: Guadeloupe, France and Quebec. From her own story emerges the broader narrative of colonization, colorism, assimilation, integration and the social benefits of “race” and their impact even today. Brutalized by police officers in Montreal in December 2017 in front of witnesses, the filmmaker takes a step back to understand this gesture, which speaks to the social interpretation of skin color.

Living memories

Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.